Exhibiting the Holocaust at the Majdanek Concentration Camp and the Bergen-Belsen DP Camp

Agata Pietrasik
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Abstract

ABSTRACT This article reconstructs and analyses the spaces and visual narratives of two particularly important early exhibitions organized by Holocaust survivors: the one at the Jewish Pavilion in the former Majdanek concentration camp in Lublin (September 1946), and ‘Unzer Veg in der Frayheyt’ (Our Path to Freedom) made in the displaced persons camp in Bergen-Belsen (July 1947). Located in one of the barracks of the former concentration camp, the Jewish Pavilion in Majdanek was one of the first public commemorative sites expressing Jewish memory of the war in Poland. While presenting a history of the Holocaust, the display also established a space for mourning. ‘Our Path to Freedom’ was created on the occasion of the Second Congress of Liberated Jews in the British Zone. It also presented the Holocaust, while at the same time imagining the future life of survivors in Eretz Israel. Together, these exhibitions demonstrate the heterogeneity of Holocaust memory of that time. They pose questions about different ways of narrating history, pointing to exhibitions as a significant medium, while allowing for a combination of visual and spatial means of representation in order to create a multifaceted narrative about the past.
展示马伊达内克集中营和卑尔根-贝尔森难民营的大屠杀
本文重建并分析了大屠杀幸存者组织的两个特别重要的早期展览的空间和视觉叙事:一个是在卢布林前马伊达内克集中营的犹太人馆(1946年9月),另一个是在贝尔根-贝尔森流离失所者营地(1947年7月)举办的“我们的自由之路”。马伊达内克的犹太馆位于前集中营的一个营房内,是表达犹太人对波兰战争记忆的首批公共纪念场所之一。在展示大屠杀历史的同时,还设立了悼念空间。《我们的自由之路》是在英属占领区被解放的犹太人第二次代表大会上创作的。它还展示了大屠杀,同时想象了以色列土地上幸存者的未来生活。这些展览共同展示了当时大屠杀记忆的异质性。他们提出了不同的历史叙述方式的问题,指出展览是一种重要的媒介,同时允许视觉和空间表现手段的结合,以创造一个关于过去的多方面的叙述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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