Female Subjectivity in Mohja Kafh’s The Girl in the Tangerine Scarf

Rika Handayani
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Abstract

. The feminist movements have echoed the spirit of gender equality in many aspects, politics, education, economic, social, and culture. However, some restrictions of women’s freedom in voicing their thoughts still exist. Women have to struggle in both domestic and public domains. Women have limited access in improving their capacities. This is related to the patriarchal system which put women at a disadvantage. Some deep- rooted patriarchal systems include discrimination against women, marginalization of women and subordination of women. These problems lead to women’s effort living under patriarchal system. The spirit in achieving gender equality is expressed through the behaviors, attitudes and ways of thinking which is called as female subjectivity. The issue of how female subjectivity plays an important role in responding to the patriarchal system is depicted in many media including fiction and non-fiction. This article is aimed at scrutinizing the problem of female subjectivity in a literary work, The Girl in the Tangerine Scarf, a novel written by Mohja Kafh. This novel presents the life of a female character struggling in voicing her thoughts and responses to patriarchal system. The complexity of the main female character’s life and experience is analyzed through the lens of feminism and subjectivity as well as the socio-cultural context. The spirit of feminism is exposing the unvoiced women’s experience. The thoughts of scholars on patriarchy and feminism are the main theories in analyzing the issue of female subjectivity in the novel. In conducting this research, qualitative method is the main method. There are three steps of this method. The first step is focusing on the quotations from the novel showing the issue of female subjectivity. The second step refers to how the selected data is scrutinized through the lens of related theories. The last one is presenting the result based on the objectives of the research. This study reveals two points. First, patriarchy as the cause of main female character‘s subjectivity. Patriarchy is imposed by her family (parents and husband). Second, the main female character’s responses to patriarchy as the forms of her subjectivity. The main female character maximizes her role in demonstrating her subjectivity. The efforts of the main female character in presenting her subjectivity bring about some consequences. In this case, the consequences are related to the main female character’s decisions. This article also demonstrates how the main female character shows her struggle in expressing her subjectivity through two ways, resistance and negotiation within the patriarchal system. The ways result in many forms of responses. The female character experiences support as well as challenges from the people around her. The challenges result from the dominance of patriarchy exerted by the family members. In addition, American situation as the contextual background also influence the ways the main female character shows her subjectivity. In this sense, the complexities of the background affect the main female character’s subjectivity. From these points, the study argues that the female character shows the dynamic and unfinished formation of female character’s subjectivity where the patriarchal system can be challenged.
莫赫加·卡芙《戴橘红色围巾的女孩》中的女性主体性
. 女权运动在政治、教育、经济、社会、文化等诸多方面呼应了男女平等的精神。然而,妇女表达思想的自由仍然受到一些限制。女性在家庭和公共领域都要挣扎。妇女提高自身能力的机会有限。这与男权制度有关,男权制度使妇女处于不利地位。一些根深蒂固的父权制度包括对妇女的歧视、妇女的边缘化和妇女的从属地位。这些问题导致了女性在男权制度下的努力生活。实现性别平等的精神表现在行为、态度和思维方式上,这种精神被称为女性主体性。包括小说和非小说在内的许多媒体都描述了女性主体性如何在回应男权制度方面发挥重要作用。本文旨在审视莫赫加·卡芙小说《戴橘红色围巾的女孩》中的女性主体性问题。这部小说呈现了一个女性角色在表达自己的思想和对父权制度的回应中挣扎的一生。从女性主义和主体性以及社会文化语境的角度分析了主要女性角色生活和经历的复杂性。女性主义的精神在于揭露女性的无声经历。学者们的父权思想和女性主义思想是分析小说中女性主体性问题的主要理论。在进行本研究时,定性方法是主要的方法。这个方法有三个步骤。第一步是关注小说中的引语,揭示女性主体性的问题。第二步是指如何通过相关理论的视角来审视选定的数据。最后是根据研究目标提出的结果。这项研究揭示了两点。第一,父权制是女性主要角色主体性形成的原因。父权制是由她的家庭(父母和丈夫)强加的。第二,主要女性角色对父权制的回应是其主体性的表现形式。主要的女性角色在展示主体性方面发挥了最大的作用。主要女性角色在表现主体性方面的努力带来了一些后果。在这种情况下,结果与主要女性角色的决定有关。本文还阐释了女主人公在男权制度下是如何通过反抗和协商两种方式来表达自己的主体性的。这些方式导致了多种形式的回应。女性角色经历了周围人的支持和挑战。这些挑战来自于家庭成员对父权制的支配。此外,作为语境背景的美国情境也影响了女主角主体性的表现方式。从这个意义上说,背景的复杂性影响了女主角的主体性。从这些角度出发,本研究认为女性角色表现出动态的、未完成的女性角色主体性形成,这是对父权制度的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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