Transnationals’ Search for Home in Bhattarai's Muglan

R. Timalsina
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Abstract

This article addresses the issue of Nepali transnationals’ search for home as depicted in Govinda Raj Bhattarai’s novel Muglan. The novel presents three types of transnationals as its characters: diasporans, transnational mobiles and transnational outsiders. Throughout the life, all of them go on searching for a home that can provide them comfort, security and peace of mind. But none of the characters can achieve it. The novel presents the reality of Nepali transnational migration that is continued for centuries. For the analysis of the characters and their condition and consequences, the theories of transnationalism and diaspora have been used. Janine Dahinden’s idea of three types of transnational migrants and Steven Vertovec’s discussion on the practice of cultural diaspora have been the main theoretical bases for this study. Both of the theorists claim that the transnationals leave their homeland with the motive of making their home back in the land of origin better than that of the time they leave it. Throughout their stay in the host land, they try to achieve their goal sacrificing everything they have. Some of them try to find their dream home even in the host land. But finally, they cannot achieve their dream in the reality. So, the transnationals remain homeless throughout. Bhattarai’s Muglan gives fictio-realistic expression to this theoretical claim.
跨国公司在巴塔拉伊的穆兰寻找家园
本文探讨了戈文达·拉吉·巴特拉伊的小说《木兰》中所描绘的尼泊尔跨国公司寻找家园的问题。小说以散居者、跨国流动者和跨国外来者三种类型的跨国人为人物。在他们的一生中,他们都在寻找一个能给他们提供舒适、安全和心灵平静的家。但没有一个角色能做到。这部小说呈现了几个世纪以来尼泊尔跨国移民的现实。在分析这些特征及其产生的条件和后果时,运用了跨国主义和散居理论。Janine Dahinden关于跨国移民三种类型的观点和Steven Vertovec关于文化散居实践的讨论是本研究的主要理论基础。这两位理论家都声称,跨国公司离开他们的祖国的动机是使他们在原籍国的家园比他们离开时更好。在他们停留在东道国的整个过程中,他们试图实现他们的目标,牺牲他们所拥有的一切。他们中的一些人甚至试图在东道国找到他们的梦想家园。但最终,他们无法在现实中实现自己的梦想。因此,跨国公司一直无家可归。巴塔拉伊的《木兰》对这一理论主张进行了虚构现实主义的表达。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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