“From the Top, Stupid!”

M. Abate
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引用次数: 0

Abstract

Chapter Five explores the rich and interesting but critically neglected Li'l Tomboy comic book series.Released by Charlton Comics from 1956 through 1960, the series did far more than simply challenge traditional female gender roles in the 1950s; it also challenged the newly established Comics Code.In numerous issues, the title character engages in behaviors that could easily be regarded as delinquent:she commits petty theft, intentionally destroys private property, and sasses adult authority figures, including police officers.Moreover, Li'l Tomboy engages in these activities not simply under the watchful eye of the Comics Code Authority, but, astoundingly, with their official seal of approval.During a time when the censors employed by the Authority office were at their most powerful and restrictive, Li'l Tomboy engaged in antics that far exceeded those that had been forbidden in other publications.Accordingly, this chapter tells the story of how, with the creation of Li'l Tomboy, Charlton Publications demonstrated that postwar gender conformity could be resisted and, even more significantly, so too could the Comics Code.
“从上面来,笨蛋!”
第五章探讨了丰富有趣但被严重忽视的《假小子》漫画系列。查尔顿漫画公司(Charlton Comics)从1956年到1960年发行的这部漫画,在20世纪50年代不仅仅是对传统女性性别角色的挑战;它还挑战了新建立的漫画法典。在许多问题中,主人公的行为很容易被视为不良行为:她小偷小偷,故意破坏私人财产,辱骂包括警察在内的成年权威人物。此外,假小子不仅在漫画代码管理局的监督下从事这些活动,而且令人惊讶的是,他们还得到了官方的批准。在权威办公室雇用的审查官最强大、最严格的时候,《假小子》的滑稽行为远远超过了其他出版物所禁止的。因此,本章讲述了查尔顿出版公司如何通过《假小子》的创作,证明战后的性别一致性是可以抵制的,更重要的是,漫画准则也是可以抵制的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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