Justin Peck

Mindy Aloff
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Abstract

Justin Peck, barely thirty, not only is the resident choreographer at New York City Ballet (NYCB) but also is in demand by dance companies throughout the United States and in Europe. He received a Tony Award for his choreography for the 2018 Broadway production of Carousel, and Steven Spielberg hired him to choreograph Spielberg’s new film of West Side Story. This chapter focuses on Everywhere We Go, the spectacular “epic” that Peck and indie composer Sufjan Stevens made for NYCB in 2014, including discussions of Peck’s musicality, his composition of duets and use of sneakers in some dances, and influences he acknowledges from the works of George Balanchine and Jerome Robbins. At the end is an essay by Peck from 2008, “How to Become an Artist.”
贾斯汀•派克
贾斯汀·派克,年仅30岁,不仅是纽约城市芭蕾舞团(NYCB)的常驻编舞,也是美国和欧洲各地舞蹈公司的需求。他因2018年百老汇音乐剧《旋转木马》的编舞而获得托尼奖,史蒂文·斯皮尔伯格(Steven Spielberg)聘请他为斯皮尔伯格的新片《西区故事》(West Side Story)编舞。这一章的重点是《Everywhere We Go》,这是派克和独立作曲家Sufjan Stevens在2014年为NYCB创作的壮观的“史诗”,包括讨论派克的音乐性、他的二重唱作曲和在一些舞蹈中使用运动鞋,以及他承认受到乔治·巴兰钦(George Balanchine)和杰罗姆·罗宾斯(Jerome Robbins)作品的影响。最后是佩克2008年的一篇文章《如何成为一名艺术家》。
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