RACISM TOWARDS AFRICAN AMERICAN COMMUNITY AS REFLECTED IN MAYA ANGELOU’S I KNOW WHY THE CAGED BIRD SINGS: BLACK AESTHETIC CRITICISM

Gisa Maya Saputri
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Abstract

The study of the African American community always circulates among the issues of race, racism, discrimination, slavery, and oppression. All these issues become the grand themes of African American literature. These literary works could be studied and covered under the scope of Black Aesthetic criticism. One of the prominent works of African American literature is an autobiography of Maya Angelou entitled I Know Why the Caged Bird Sings (1969). This autobiography portrays Angelou’s childhood experiences which brings up the issues of race, racism, and oppression. This paper aims to analyze the kinds of racism experienced by the African American community and their struggle against it as depicted in the book. To provide a thorough discussion of the matter, critical race theory was employed as the method of analysis. The result is drawn based on the basic tenets of critical race theory proposed by Richard Delgado and Jean Stefancic (2001); everyday racism, interest convergence, the social construction of race, differential realization, intersectionality, and voice of Color. The findings show the struggle of African American community against racism which are expressed through the act of ignorance, promoting intelligence, communal efforts, resistance, promoting social movement, and stepping forward to voice their experience through African American literature.
玛雅·安杰洛的《我知道笼中鸟为什么歌唱:黑人审美批评》反映了对非裔美国人的种族歧视
对非裔美国人社区的研究总是围绕着种族、种族主义、歧视、奴隶制和压迫等问题展开。所有这些问题都成为非裔美国文学的宏大主题。这些文学作品可以在黑人美学批评的范围内进行研究和研究。玛雅·安杰洛的自传《我知道笼中鸟为什么歌唱》(1969)是美国黑人文学的杰出作品之一。这本自传描绘了安吉罗的童年经历,带来了种族、种族主义和压迫等问题。本文旨在分析书中所描述的非裔美国人社区所经历的种族主义以及他们与种族主义的斗争。为了对这个问题进行彻底的讨论,我们采用了批判种族理论作为分析方法。这一结果是基于Richard Delgado和Jean stefanic(2001)提出的批判性种族理论的基本原则得出的;日常的种族主义、利益趋同、种族的社会建构、差异实现、交叉性和有色人种的声音。研究结果表明,非裔美国人群体反对种族主义的斗争通过无知的行为,促进智慧,共同努力,抵抗,促进社会运动,并通过非裔美国文学挺身而出,表达他们的经历。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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