How Blind and Visually Impaired Composers, Producers, and Songwriters Leverage and Adapt Music Technology

W. Payne, A. Xu, Fabiha Ahmed, Lisa Ye, Amy Hurst
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引用次数: 20

Abstract

Today, music creation software and hardware are central to the workflow of most professional composers, producers, and songwriters. Music is an aural art form, but it is notated graphically, and highly visual mainstream technologies pose significant accessibility barriers to blind and visually impaired users. Very few studies address the current state of accessibility in music technologies, and fewer propose alternative designs. To address a lack of understanding about the experiences of blind and visually impaired music technology users, we conducted an interview study with 11 music creators who, we demonstrate, find ingenious workarounds to bend inaccessible technologies to their needs, but still face persistent barriers including a lack of options, a limited but persistent need for sighted help, and accessibility features that fail to cover all use cases. We reflect on our findings and present opportunities and guidelines to promote more inclusive design of future music technologies.
盲人和视障作曲家、制作人和词曲作者如何利用和适应音乐技术
今天,音乐创作软件和硬件是大多数专业作曲家、制作人和词曲作者工作流程的核心。音乐是一种听觉艺术形式,但它是用图形表示的,高度视觉化的主流技术对盲人和视障用户构成了重大的可访问性障碍。很少有研究涉及音乐技术的可访问性的现状,很少有人提出替代设计。为了解决对盲人和视障音乐技术用户的体验缺乏了解的问题,我们对11位音乐创作者进行了采访研究,我们证明,他们找到了巧妙的变通办法,使无法使用的技术满足他们的需求,但仍然面临着持续的障碍,包括缺乏选择,对视力帮助的有限但持续的需求,以及无法覆盖所有用例的可访问性功能。我们反思了我们的发现,并提出了促进未来音乐技术更具包容性设计的机会和指导方针。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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