Music retiler: Using NMF2D source separation for audio mosaicing

H. F. Aarabi, G. Peeters
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引用次数: 4

Abstract

Musaicing (music mosaicing) aims at reconstructing a target music track by superimposing audio samples selected from a collection. This selection is based on their acoustic similarity to the target. The baseline technique to perform this is concatenative synthesis in which the superposition only occurs in time. Non-Negative Matrix Factorization has also been proposed for this task. In this, a target spectrogram is factorized into an activation matrix and a predefined basis matrix which represents the sample collection. The superposition therefore occurs in time and frequency. However, in both methods the samples used for the reconstruction represent isolated sources (such as bees) and remain unchanged during the musaicing (samples need to be pre-pitch-shifted). This reduces the applicability of these methods. We propose here a variation of the musaicing in which the samples used for the reconstruction are obtained by applying a NMF2D separation algorithm to a music collection (such as a collection of Reggae tracks). Using these separated samples, a second NMF2D algorithm is then used to automatically find the best transposition factors to represent the target. We performed an online perceptual experiment of our method which shows that it outperforms the NMF algorithm when the sources are polyphonic and multi-source.
音乐拼接:使用NMF2D源分离音频拼接
Musaicing(音乐拼接)的目的是通过叠加从集合中选择的音频样本来重建目标音乐轨道。这种选择是基于它们与目标的声学相似性。执行此操作的基线技术是串联合成,其中叠加仅在时间上发生。非负矩阵分解也被提出用于此任务。在这种方法中,目标谱图被分解成一个激活矩阵和一个预定义的基矩阵,基矩阵表示样本集合。因此,叠加发生在时间和频率上。然而,在这两种方法中,用于重建的样本都是孤立的来源(如蜜蜂),并且在musaicing过程中保持不变(样本需要预移音高)。这降低了这些方法的适用性。我们在这里提出了一种变体的musaicing,其中用于重建的样本是通过将NMF2D分离算法应用于音乐集合(例如雷鬼曲目的集合)获得的。使用这些分离的样本,然后使用第二个NMF2D算法自动找到代表目标的最佳转置因子。我们对该方法进行了在线感知实验,结果表明该方法在多声源和多声源情况下优于NMF算法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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