Curative fictions: The ‘narrative cure’ in Judith Herman's trauma and recovery and Chantal Chawaf's Le Manteau noir

K. Robson
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引用次数: 10

Abstract

Abstract The possibility of a so‐called ‘narrative cure’, whereby a survivor of traumatic experience can begin to deal with her past through integrating it into narrative, has become central both to psychotherapy and to literary criticism on writings of trauma as a means of ethical, ‘truthful’ testimony and of healing. This article seeks to question the correlation between testimony and ‘cure’ through analysing the function of the ‘narrative cure’ in a psychotherapeutic text and in a literary text. This highlights how any notion of ‘truthful’ testimony is always underwritten by fiction, which raises crucial ethical questions about the relation between fiction and ‘truth’, testimony and ‘cure’ and psychotherapy and literature. I argue that the ‘narrative cure’ is not a privileged space of curative ‘truth’, but a point of tension between memory and amnesia and between ‘truth’ and fiction; it is precisely this tension, I suggest, which should characterize and structure interdisciplinary responses to trauma.
治疗性小说:朱迪思·赫尔曼的《创伤与康复》和尚塔尔·沙瓦夫的《黑色曼托》中的“叙事治疗”
所谓的“叙事治疗”的可能性,即创伤经历的幸存者可以通过将其融入叙事来开始处理她的过去,已经成为心理治疗和文学批评的核心,这些文学批评将创伤作品作为伦理、“真实”证词和治疗的手段。本文试图通过分析“叙事治疗”在心理治疗文本和文学文本中的功能,来质疑证词和“治疗”之间的相关性。这凸显了任何关于“真实”证词的概念总是由小说所支撑,这就提出了关于小说与“真相”、证词与“治疗”、心理治疗与文学之间关系的关键伦理问题。我认为,“叙事治疗”不是治疗“真相”的特权空间,而是记忆与失忆之间、“真相”与虚构之间的紧张点;我认为,正是这种紧张关系应该成为创伤跨学科反应的特征和结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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