Domestic Sacred Spaces

J. de Gay
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Abstract

This chapter examines Woolf’s conceptualization of the home as a sacred space. It analyses her critique of Victorian domestic architecture in the light of Evangelical understandings of separate spheres, with the home as a place to which the paterfamilias could retreat to be ministered to by his wife. In doing so, it draws attention to the theological subtexts of Woolf’s essays ‘Professions for Women’ and A Room of One’s Own. The chapter then examines how Woolf sought to challenge these boundaries both in A Room of One’s Own, and in her organization of her own living space at Monk’s House. It demonstrates the influence of Woolf’s aunt Caroline Emelia Stephen on her writings about home as sacred space, as well as revealing the significance of the work of her little-known ancestor Sarah Stephen. The chapter also provides readings of Woolf’s representation of the home as sacred space in Mrs Dalloway and To the Lighthouse.
家庭神圣空间
这一章考察了伍尔夫将家作为一个神圣空间的概念。它分析了她对维多利亚时代家庭建筑的批判,根据福音派对不同领域的理解,家是家长可以撤退的地方,由他的妻子来服侍。在这样做的过程中,它引起了人们对伍尔夫散文《女性职业》和《一间自己的房间》的神学潜台词的关注。然后,本章探讨了伍尔夫如何在《一个人的房间》中,以及她在僧侣之家组织自己的生活空间时,试图挑战这些界限。它展示了伍尔夫的姨妈卡罗琳·埃米利亚·斯蒂芬对她关于家是神圣空间的作品的影响,同时也揭示了她鲜为人知的祖先萨拉·斯蒂芬作品的重要性。这一章还提供了伍尔夫在《达洛维夫人》和《到灯塔去》中把家描绘成神圣空间的解读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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