The Portrayal of Love and Romance in the Selected Pakistani Short Stories

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Abstract

This paper aims to investigate the portrayal of love and its expression in Lahiri and Sidhwa’s short stories and attempts to determine the voice and agency of female expression of love. Love and its expression have been the privilege of males in the narratives emerging from South Asia, and females generally had been unexpressive and maintained silence. But the women of modern times wish to give agency to their thought and so the fictional narratives from the Indo-Pak subcontinent are currently giving voice to the women. This problematizes the socio-political and cultural norms and their working in South Asian societies which necessitates exploring the current narratives. The writers intend to read the selected chunks of short stories by Lahiri and Sidhwa under the lens of postcolonial feminist theory. The stories Interpreter of Melodies (1999), Their Language of Love (2013) by these two writers respectively convey a dominant view of women’s agency of love with the significant impact on the social and literary scenes. The most probable outcome of the research is that the women in the 20th century Indo-Pak subcontinent are finding their voice not only represented but are being listened to through the narratives from South Asia.
《巴基斯坦短篇小说选集》中对爱情和浪漫的刻画
本文旨在探讨Lahiri和Sidhwa的短篇小说中对爱情的刻画及其表达,并试图确定女性表达爱情的声音和媒介。在南亚出现的叙事中,爱及其表达一直是男性的特权,而女性通常缺乏表达,保持沉默。但现代女性希望赋予她们的思想力量,因此来自印度-巴基斯坦次大陆的虚构叙事目前正在为女性发声。这使社会政治和文化规范及其在南亚社会中的工作成为问题,这需要探索当前的叙述。作者打算在后殖民女性主义理论的视角下解读拉希里和希德瓦的短篇小说选集。这两位作家的小说《旋律的解释者》(1999)和《她们的爱的语言》(2013)分别传达了一种关于女性爱的主体的主流观点,对社会和文学场景产生了重大影响。这项研究最有可能的结果是,20世纪印度-巴基斯坦次大陆的女性发现,她们的声音不仅被代表,而且通过南亚的叙述被倾听。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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