Deaf Art and Deaf Women Poets: Clippings of an Anthropological Path

Rebeca Garcia Cabral
{"title":"Deaf Art and Deaf Women Poets: Clippings of an Anthropological Path","authors":"Rebeca Garcia Cabral","doi":"10.23880/aeoaj-16000182","DOIUrl":null,"url":null,"abstract":"Currently, given the constant demands of the deaf social movement, much is said about sign language acknowledgement, bilingual education for the deaf, linguistic accessibility in society spaces. But studies of artistic practices in deaf communities are still advancing slowly with research that especially emphasizes theater and literature as cultural elements of this social group. This article is part of an ongoing master’s investigation. The focus of this research is to understand the importance of art for the social movement of the deaf, mainly by disseminating in its production the identity and cultural markers of this social group, especially sign language and visual culture. We will understand this process as artivism, that is, an activism carried out through artistic practices. That way, this article will bring in an introductory way some notes about the visual arts and performing arts of deaf artists. Still during the master’s research, a greater interest in the artistic practices of deaf women emerged, especially analyzing the production of deaf women poets and their role as transforming agents of the social movement of the deaf. In this sense, some of the questions that guided the development of this research were: How do deaf women appropriate the internet space to promote their artistic expressions? Is it possible or desirable for them to separate ‘being a woman’ and ‘being deaf’ in their productions? How are issues such as violence against women portrayed in these poems? How do deaf women poets create possible dialogues between deaf movements and women’s movement? Thus, this research sought not only to outline the social movement of the deaf, showing how artistic expressions are inserted in the demands of this social group, but also to reflect on gender and feminism issues and their relationships with deaf women artists. In addition to the dissertation in progress as a product of this investigation, an ethnographic film was also produced, currently available on YouTube.","PeriodicalId":125575,"journal":{"name":"Anthropology and Ethnology Open Access Journal","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anthropology and Ethnology Open Access Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23880/aeoaj-16000182","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Currently, given the constant demands of the deaf social movement, much is said about sign language acknowledgement, bilingual education for the deaf, linguistic accessibility in society spaces. But studies of artistic practices in deaf communities are still advancing slowly with research that especially emphasizes theater and literature as cultural elements of this social group. This article is part of an ongoing master’s investigation. The focus of this research is to understand the importance of art for the social movement of the deaf, mainly by disseminating in its production the identity and cultural markers of this social group, especially sign language and visual culture. We will understand this process as artivism, that is, an activism carried out through artistic practices. That way, this article will bring in an introductory way some notes about the visual arts and performing arts of deaf artists. Still during the master’s research, a greater interest in the artistic practices of deaf women emerged, especially analyzing the production of deaf women poets and their role as transforming agents of the social movement of the deaf. In this sense, some of the questions that guided the development of this research were: How do deaf women appropriate the internet space to promote their artistic expressions? Is it possible or desirable for them to separate ‘being a woman’ and ‘being deaf’ in their productions? How are issues such as violence against women portrayed in these poems? How do deaf women poets create possible dialogues between deaf movements and women’s movement? Thus, this research sought not only to outline the social movement of the deaf, showing how artistic expressions are inserted in the demands of this social group, but also to reflect on gender and feminism issues and their relationships with deaf women artists. In addition to the dissertation in progress as a product of this investigation, an ethnographic film was also produced, currently available on YouTube.
聋人艺术与聋人女诗人:人类学路径剪报
当前,鉴于聋人社会运动的不断要求,人们对手语承认、聋人双语教育、社会空间中的语言可及性等问题讨论较多。但是,对聋人社区艺术实践的研究仍然进展缓慢,研究特别强调戏剧和文学是这个社会群体的文化元素。这篇文章是正在进行的硕士调查的一部分。本研究的重点是了解艺术对聋人社会运动的重要性,主要是通过在其生产中传播这一社会群体的身份和文化标志,特别是手语和视觉文化。我们将这一过程理解为艺术主义,即通过艺术实践进行的行动主义。这样,本文将以介绍性的方式介绍一些关于聋人艺术家的视觉艺术和表演艺术的注意事项。在硕士研究期间,她对失聪女性的艺术实践产生了更大的兴趣,特别是分析失聪女性诗人的创作以及她们作为失聪社会运动的变革推动者的作用。从这个意义上说,指导本研究发展的一些问题是:聋女如何利用互联网空间来促进她们的艺术表达?在他们的作品中,他们是否有可能或希望将“作为一个女人”和“作为一个聋子”分开?这些诗是如何描绘对妇女的暴力等问题的?聋人女诗人如何在聋人运动和妇女运动之间创造可能的对话?因此,本研究不仅试图勾勒出聋人的社会运动,展示艺术表达如何插入这一社会群体的需求,而且还试图反思性别和女权主义问题及其与聋人女艺术家的关系。作为这项调查的成果,除了正在进行的论文之外,还制作了一部民族志电影,目前可在YouTube上获得。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信