Balancing Authentic Arab Rhetorical Sciences with Modern Artistic Vision

Salahuddin Mohd. Shamsuddin
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Abstract

No doubt that there is an urgent need to develop the rhetorical sciences as one of the approaches of linguistic sciences, because the language of man develops and is renewed by the renewal of intellectual sources, and with the change of perceptions the language and the tool of expression changes. We wanted to balance some of the aesthetic terms: "Artistic radiation", "Linguistic composition" and "Poem structure on the way of painting" as the pillars of the approach: "Art Vision", and the three sciences of Arabic rhetoric: Stylistic, Figures of speech and Embellishments. As an attempt to root these terms, and increase their clarification and link them to the scientific heritage of the Arabs, to confirm the link between the authenticity of Arab rhetoric and contemporary criticism. One of the biggest indications of the difficulty in finding modern rhetoric is the difference of opinions about the nature of the literary word. The role of the writer is difficult in finding his own dictionary, and to the extent that he succeeds in the liquidation of the traditional heritage must succeed in giving the picture dimension to him, and it means that he enters the battle in two fields: One is to get rid of the old templates, and the other to get rid of the conventions of the intellectual age. However, we should not forget that the grammar is a basic criterion for knowing the quality of linguistic expressions in that era.
平衡真实的阿拉伯修辞科学与现代艺术视野
毫无疑问,我们迫切需要把修辞学作为语言科学的研究方向之一来发展,因为人类的语言是随着智力来源的更新而发展和更新的,随着观念的变化,语言和表达工具也在变化。我们希望平衡一些美学术语:“艺术辐射”,“语言构成”和“绘画方式上的诗歌结构”作为方法的支柱:“艺术视觉”,以及阿拉伯修辞学的三门科学:文体,修辞和修饰。作为对这些术语的一种尝试,增加它们的澄清,并将它们与阿拉伯人的科学遗产联系起来,以确认阿拉伯修辞的真实性与当代批评之间的联系。寻找现代修辞学的最大困难之一是对文学世界本质的不同看法。作家的角色是很难找到自己的字典的,在某种程度上,他成功地清算了传统遗产,就必须成功地赋予他画面的维度,这意味着他进入了两个领域的战斗:一是摆脱旧的模板,二是摆脱知识时代的惯例。然而,我们不应该忘记,在那个时代,语法是了解语言表达质量的基本标准。
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