Ironic Empires

Lucas Rambo Bender
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Abstract

This chapter considers the irreducible complexity of Du Fu’s relationship to the Tang empire in his late poetry from Kuizhou. During this period, his poems repeatedly portray miniature versions of the empire in the ostensibly private, domestic affairs that occupied his attention in a region where he had no property and few friends. Readers have been divided as to the significance of these poems: for some, that he should have continued even in his exile to see the empire everywhere he turned has evidenced his continuing commitment to the Tang; to others, the patent absurdity of some of these miniature empires has suggested a mockery of imperial pretensions. This chapter argues that both of these antithetical interpretations are correct. As soon as Du Fu seeks to assert his continued connection with the values of the empire, he recognizes the absurdity of his overreach; and as soon as he recognizes the absurdity of his overreach, he acknowledges the darker ways in which he remains dependent, even in Kuizhou, upon imperial hierarchies of questionable justice.
具有讽刺意味的帝国
本章探讨杜甫晚期夔州诗中与大唐帝国关系的不可简化的复杂性。在此期间,他的诗歌反复描绘了帝国表面上私人的缩影,国内事务占据了他的注意力,在一个他没有财产和朋友的地区。读者对这些诗的意义有不同的看法:有些人认为,即使在流亡期间,他也应该继续看到他所到之处的帝国,这证明了他对唐朝的持续承诺;对另一些人来说,这些微型帝国的荒谬之处是对帝国野心的嘲弄。本章认为这两种对立的解释都是正确的。当杜甫试图维护他与帝国价值观的持续联系时,他意识到自己的过度扩张是荒谬的;当他意识到自己越权的荒谬时,他也承认,即使在奎州,他仍然以更黑暗的方式依赖于正义存疑的帝国等级制度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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