Proses Kreativitas dalam Penciptaan Tari Srimpi Pudyastuti

Hadawiyah Endah Utami
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Abstract

This  research  is  an  experimental  study  of  creative  process  issues  in  the  creation  of  the  Srimpi Pudyastuti dance, the aim of which is to reveal how creative practice ideas of traditional dance are developed by artists with a background in creativity in the cultural and performing arts realms. The method used is a qualitative research method with a choreographic approach. Data collection, observation, literature study  and  interviews.  The  results  of  the  study  show  that  the  Srimpi  Pudyastuti  dance,  in  its  creative process, uses a combination of the concepts of working on the dance movements of the Surakarta Style and Yogyakarta Style which have been stylized into new forms of movement. The creation was inspired by the realities of life that are happening all over the world, namely the Covid-19 pandemic and the stagnation in the development of the group dance genre, especially the srimpi dance. In the creative process, motion exploration is considered to form space and rhythm as well as the findings of the motions that characterize Srimpi Pudyastuti with her vocal movements using a lot of gliding (floating) motions.Keyword: srimpi pudyastuti, creativity, creative process
创作Srimpi Pudyastuti的创造力过程
本研究是对斯林皮·普迪亚斯图蒂舞蹈创作过程问题的实验研究,旨在揭示具有文化和表演艺术领域创意背景的艺术家如何发展传统舞蹈的创作实践理念。使用的方法是一种带有编舞方法的定性研究方法。资料收集、观察、文献研究和访谈。研究结果表明,Srimpi Pudyastuti舞蹈在其创作过程中,结合了苏拉塔风格和日惹风格的舞蹈动作概念,并将其风格化为新的运动形式。创作灵感来自世界各地正在发生的生活现实,即Covid-19大流行和集体舞类型发展的停滞,特别是斯姆皮舞。在创作过程中,动作探索被认为是形成空间和节奏,以及对动作的发现,这是Srimpi Pudyastuti的特点,她的声音动作使用了大量的滑翔(漂浮)动作。关键词:虾米,创意,创作过程
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