Arts and Culture in Lisbon’s Recent Revitalization : Observing Mouraria and Intendente Square through Alternative Local Initiatives as Drivers of Marginal Gentrification

Ana Estevens, Agustín Cocola‐Gant, Daniel Malet Calvo, Filipe Matos
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Abstract

“Creative cities” and “artistic neighborhoods” have become regular concepts within hegemonic narratives and practices related to centralized urban revitalization processes. Creativity is now sold as a symbol of status and the “creative city” has become a widespread trend common to contemporary cities. At the same time, artists and social movements use art and culture as an instrument of resistance, change and transformation of social relations, implementing in their practices the criticism of the neoliberal city. This paper discusses the links between (i) neoliberal culture-led revitalization strategies; (ii) artists and community groups; and (iii) gentrification. We show that in a free-market context, bottom-up artistic initiatives revalorize areas and the resulting increase in property values are appropriated by private investors, accelerating a process of gentrification.
里斯本近期复兴中的艺术与文化:观察作为边缘士绅化驱动因素的Mouraria和intenente广场
“创意城市”和“艺术社区”已经成为与中心化城市复兴过程相关的霸权叙事和实践中的常规概念。创意现在被当作一种地位的象征,“创意城市”已经成为当代城市普遍存在的趋势。与此同时,艺术家和社会运动将艺术和文化作为抵抗、改变和改造社会关系的工具,在他们的实践中实施对新自由主义城市的批评。本文讨论了(1)以新自由主义文化为主导的振兴战略之间的联系;(ii)艺术家及社区团体;(三)士绅化。我们表明,在自由市场背景下,自下而上的艺术活动使地区重新估值,由此产生的财产价值的增加被私人投资者占用,加速了士绅化的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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