Some Preliminary Soundings

C. Faraone
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Abstract

This chapter presents a series of “soundings” of short hexametrical genres. The aim is to investigate the following: (i) how the Homeric poet, in Hector’s description of the burial mound of his antagonist, plays with his audiences’ expectations of the generic and preexisting form of the hexametrical epitaph and how both he and the Hesiodic poet use the hypothêkê, a traditionally hexametrical form of avuncular advice in the Homeric speeches of elders like Peleus or in the Hesiodic address to Perses; (ii) how a mimetic poem composed by Theocritus helps us to imagine the performance context of some fragments of Sappho’s “wedding poems” as epithalamia in hexameters composed in ten-line stanzas and chanted before the door of newlyweds; and (iii) how the short poems embedded in the Pseudo-Herodotean Life of Homer reflect the rich array of short hexametrical performances.
一些初步测深
本章介绍了一系列六格短体裁的“发音”。目的是调查以下内容:(i)在赫克托耳对他的对手的墓葬冢的描述中,荷马诗人如何与他的听众对六格律墓志铭的一般形式和预先存在的形式的期望进行游戏,以及他和赫西奥德诗人如何使用hypothêkê,这是一种传统的六格律形式的长辈的建议,在荷马的演讲中,比如珀琉斯,或者在赫西奥德对波斯人的讲话中;(ii)忒奥克里托斯创作的一首模仿诗如何帮助我们想象萨福“婚礼诗”的一些片段的表演背景,这些片段是由十行诗节组成的六步诗,在新婚夫妇的门前吟唱;(三)《伪希罗多德时代的荷马生平》中的短诗如何反映了丰富的六步短诗表演。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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