THE POLYPEDAGOGICAL PRINCIPLE OF TEACHING BY ANTONIO SALIERI AND THE MODERN UNDERSTANDING OF POLYPEDAGOGICAL EFFECTIVENESS

L. Yaremenko
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Abstract

The article deals with the polypedagogical principle of Antonio Salieri's education in the context of the modern understanding of the polypedagogical reality, its phenomenality, and its unique features. The author examines modern trends in the formation of polypedagogical reality, the point of view of scientists on scientific approaches to the description of pedagogical reality. In the context of the works of representatives of artistic pedagogy, the polypedagogical principle in the teaching activity of Antonio Salieri is analyzed. It provided for the ability of one teacher to teach students to play an instrument, vocals, composition, solfeggio, harmony, instrumentation, music theory, polyphony, heterophony, homophony, the basics of counterpoint, and conducting. In the modern plane of «polypedagogical interaction» (work with a student group of several teachers), the main problems for musicians arise when several teachers work with groups (with a choir or an orchestra, where students of the first and second levels of higher education are trained). Such a situation simply cannot pass without a certain number of socio-psychological dilemmas - the problem of the psychological compatibility of teachers (individual-personal, psychophysiological, didactic), the problem of the compatibility of the technologies of these teachers and their teaching styles, the issue of the interaction of the leaders of educational groups with their participants and among themselves. The article shows optimal ways that require the teacher's moral responsibility and moral readiness for "subject-subject" and "subject-object-subject" interactions in large groups. In the context of dyadic and frontal relations between the teacher and students, the author proved that Antonio Salieri, who was uniquely able to coordinate and establish positive relations with the students who studied under him, quickly and simply gained authority, caused sympathy, sincere love among the students, the desire to be like him, to consider him a role model.
萨列里的多元教学原则及对多元教学效果的现代理解
本文从现代对多元教育现实的认识、现象性和独特性等方面探讨了萨列里教育的多元教育原则。作者考察了多元教育现实形成的现代趋势,以及科学家对描述教育现实的科学方法的观点。结合艺术教育学代表人物的作品,分析萨列里在教学活动中的多元教学原则。它提供了一名教师教学生演奏乐器、人声、作曲、视唱练耳、和声、乐器、音乐理论、复调、杂音、主音、对位法的基本知识和指挥的能力。在现代的“多元教学互动”(与几位教师组成的学生小组合作)中,音乐家的主要问题出现在几位教师与小组合作时(与合唱团或管弦乐队合作,在那里接受高等教育的一年级和二年级学生)。如果没有一定数量的社会心理困境——教师的心理兼容性问题(个人-个人、心理生理、教学)、这些教师的技术及其教学风格的兼容性问题、教育团体领导人与参与者以及他们之间的互动问题——这样的情况是不可能过去的。文章展示了在大群体中“主体-主体”和“主体-客体-主体”互动需要教师的道德责任和道德准备的最佳方式。在师生关系两分体和正面关系的背景下,作者证明了安东尼奥·萨列里以其独特的协调能力和与学生建立积极关系的能力,迅速而简单地获得了权威,引起了学生的同情和真诚的爱,渴望像他一样,将他视为榜样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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