AMBIGUITY IN POETIC TEXTS: DEFINITION, TYPES, AND FUNCTION

S. S. Aubakir, А. Ye. Bizhkenova, A. K. Kitibaeva
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Abstract

"Ambivalence refers to the simultaneous combination of two opposite attitudes, ideas, etc., towards a person, a thing, etc. this study attempts to trove not only that ambiguity is a semantic-pragmatic device, but also that it is a result of certain stylistic deviations from the norm of the Linguistic levels of Language. The study also hypothesizes that ambiguity in poetic texts highly affects meaning, semantic deviation is the most frequent type which creates different types of ambivalence. Furthermore, the article focuses on the pivotal place of ambiguity that modernist critical theory ascribed to ambiguity in the definition of meaning and structure in poetry. In particular, we consider the way in which the category of experience is deployed in the discourse of ambiguity but is limited to only certain narratives of so-called experience. We argue for a contemporary practice less focused on ambiguity and more on notation and provisional structure, demonstrating key elements in poems. "
诗歌文本中的歧义:定义、类型和功能
矛盾心理是指对一个人、一件事等的两种相反的态度、观念等的同时结合。本研究试图证明,歧义不仅是一种语义-语用手段,而且是某种文体偏离语言语言层次规范的结果。研究还假设诗歌文本中的歧义对意义的影响很大,语义偏差是最常见的类型,它产生了不同类型的矛盾心理。在此基础上,本文着重分析了现代主义批评理论认为模糊性在诗歌的意义和结构定义中所起的关键作用。特别是,我们考虑经验范畴在模棱两可的话语中部署的方式,但仅限于所谓经验的某些叙述。我们主张当代实践少关注歧义,多关注符号和临时结构,展示诗歌的关键元素。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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