The Family in Crime and Punishment

S. Fusso
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Abstract

It is well known that Dostoevsky was in part reacting to Nikolai Chernyshevsky’s theories, in particular his 1863 novel What Is to Be Done?, as he conceived Crime and Punishment. In her book Chernyshevsky and the Age of Realism: A Study in the Semiotics of Behavior (1988), Irina Paperno has shown that Chernyshevsky’s experiments with family structure are rooted in Hegelian theory as mediated by Russian thinkers in the 1840s. I examine Chernyshevsky’s novel as well as writings on the family and gender in Russian journalism of the early 1860s, especially Mikhail Larionovich Mikhailov’s articles and Apollinaria Prokofievna Suslova’s short stories in Dostoevsky’s journals Time and Epoch, to deepen our understanding of the family structures that appear in Crime and Punishment.
罪与罚中的家庭
众所周知,陀思妥耶夫斯基在一定程度上是对车尔尼雪夫斯基的理论,特别是他1863年的小说《怎么办?》他构思了《罪与罚》。Irina Paperno在其著作《车尔尼雪夫斯基与现实主义时代:行为符号学研究》(1988)中指出,车尔尼雪夫斯基关于家庭结构的实验根植于黑格尔理论,并在19世纪40年代受到俄罗斯思想家的影响。我研究车尔尼雪夫斯基的小说,以及19世纪60年代早期关于俄罗斯新闻中家庭和性别的著作,尤其是米哈伊尔·拉里奥诺维奇·米哈伊洛夫的文章和阿波利丽娜·普罗科菲耶夫娜·苏斯洛娃在陀思妥耶夫斯基的期刊《时代》和《时代》中的短篇小说,以加深我们对《罪与罚》中出现的家庭结构的理解。
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