TRADITIONAL AND NON-TRADITIONAL CULTURAL AND INFORMATION SYSTEMS OF UKRAINE AND THE WORLD

Olexander Oleksiovych Beydik, O. Topalova, Vady’m Yurijovych Siruk
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Abstract

The aim of the study is to elucidate the number and structure of the museum network in a global and national dimension; define the concepts of «museum», «cultural and informational system» and the main directions of improving museum business in Ukraine; analyze the basic structural and logical models and dynamics of museum development in Ukraine; better understand the idea of unusual museum projects in Ukraine and highlight the most original among them by subject, history of creation and value of exhibitions. The methods and methodology of research. Expeditionary (a direct training with the expositions of non-traditional museum projects and field data collecting), monographic (an analysis of publications of leading museum scientists), comparative-geographical, cartographic, statistical (an analysis of number of museum institutions and their popularity in Ukraine), sociological (an identification of priorities of student youth in relation to non-traditional museum projects) computer technologies, modeling (a use of structural and logical models in the publication) methods were used in the disclosure of the topic. The novelty of the research. The dynamics and trends of museum development in Ukraine and in the world, the structure of the array of publications on museum issues are elucidated, the priorities of student youth in relation to extraordinary museums and the top-7 most famous non-traditional museum projects of Ukraine (in order of discussion) are identified. The results. It is proved that the share of non-traditional museums, museum projects and exhibitions in the «museum area» both in Ukraine and abroad is increasing, while at the same time in the Ukrainian national space it has been observed the actual disappearance of, until recently, unique expositions from such museum halls as the Museum of the History of Kyiv, the Museum of Taras Shevchenko on Chernychiy (Tarasova) mountain in Kaniv (Cherkasy region); by interviewing student youth, the most attractive and unpopular unconventional museums (world dimension) and the top 7 unusual museum projects of Ukraine (in order of discussion) were identified. The quantitative characteristics of the museum network and the popularity of museum institutions of Ukraine for the years 2000–2017 are given. The practical significance lies in the possibility of i implementation the results of the study into the educational process of higher education institutions in Ukraine (when teaching courses of excursion and museum studies, museum tourism, geography of tourism, basics of excursion) at the geographical, historical faculties of institutions of higher education in Ukraine) and the use of materials in the activities of museum and sightseeing institutions of Ukraine, in increasing public attention to traditional and non-traditional museum projects and expanding the idea of diversification of museum institutions.
乌克兰和世界的传统和非传统文化和信息系统
研究的目的是在全球和国家层面上阐明博物馆网络的数量和结构;定义了“博物馆”、“文化和信息系统”的概念,以及改善乌克兰博物馆业务的主要方向;分析乌克兰博物馆发展的基本结构、逻辑模型和动态;更好地理解乌克兰不同寻常的博物馆项目的想法,并根据主题,创作历史和展览价值突出其中最具原创性的项目。研究的方法和方法论。远征(对非传统博物馆项目和实地数据收集的直接培训),专题(对主要博物馆科学家出版物的分析),比较地理学,制图学,统计学(对乌克兰博物馆机构数量及其受欢迎程度的分析),社会学(确定与非传统博物馆项目有关的青年学生的优先事项)计算机技术,在主题的公开中使用了建模(在发布中使用结构和逻辑模型)方法。研究的新颖性。介绍了乌克兰和世界博物馆发展的动态和趋势,阐述了博物馆问题出版物的结构,确定了青年学生在非凡博物馆和乌克兰最著名的7个非传统博物馆项目方面的优先事项(按讨论顺序)。结果。事实证明,在乌克兰和国外的“博物馆区”中,非传统博物馆,博物馆项目和展览的份额正在增加,而与此同时,在乌克兰国家空间中,直到最近,基辅历史博物馆,塔拉斯舍甫琴科博物馆等博物馆大厅的独特展览实际上消失了(切尔卡西地区)切尔尼奇耶(塔拉索瓦)山上的塔拉斯舍甫琴科博物馆;通过采访学生青年,确定了最具吸引力和最不受欢迎的非传统博物馆(世界维度)和乌克兰最不寻常的7个博物馆项目(按讨论顺序)。给出了2000-2017年乌克兰博物馆网络的数量特征和博物馆机构的受欢迎程度。其现实意义在于,研究结果有可能在乌克兰高等教育机构的教育过程中实施(在乌克兰高等教育机构的地理、历史院系教授游览和博物馆研究、博物馆旅游、旅游地理学、游览基础课程时),并在乌克兰博物馆和观光机构的活动中使用材料。提高公众对传统和非传统博物馆项目的关注度,拓展博物馆机构多元化的理念。
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