1 Staging language: Place and identity in the enactment, performance and representation of regional dialects

U. Clark
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引用次数: 1

Abstract

Although there are many studies on linguistic variation as it relates to both "traditional" and "new" media such as film, TV, newspapers, and online behavior, little has been written about spoken performance in overt but face-to-face conversations. This book bridges that gap, and focuses on an "in between" zone between casual face-to-face conversations and the type of heavily scripted language of most traditional spoken media. The book draws upon a substantial amount of empirical data in its investigation of the role played by performance texts in creating, maintaining and challenging imagined communities and focuses upon the ways in which performance contributes to people's sense of the kinds of use for which dialect/variational use is appropriate and those for which it is not. It sheds light on how such stylization intersects with multiple social indexes and how performers and other creative artists challenge and mock hegemonic practices through enregistering a defined set of linguistic variables in the context of their performance and other associated written texts.
1舞台语言:地域方言的制定、表演和表现中的位置和身份
虽然有很多关于语言变异的研究,因为它与“传统”和“新”媒体(如电影、电视、报纸和网络行为)有关,但很少有关于公开的面对面对话中的口语表现的研究。这本书弥补了这一差距,并将重点放在非正式面对面对话和大多数传统口头媒体中大量脚本语言之间的“中间”区域。这本书在调查表演文本在创造,维持和挑战想象社区中所扮演的角色时,借鉴了大量的经验数据,并着重于表演如何帮助人们意识到哪些方言/变体的使用是合适的,哪些是不合适的。它揭示了这种风格化如何与多种社会指标交叉,以及表演者和其他创造性艺术家如何通过在他们的表演和其他相关的书面文本中注册一组定义的语言变量来挑战和嘲笑霸权实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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