SPIRITUAL HIBRIDITY OF NATIVE AMERICAN IN LOUIS EDRICH’S THE ROUND HOUSE: POSTCOLONIAL STUDIES

A. Faqih, M. A. Rokhman
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Abstract

Louis Edrich is a contemporary Native American writer who writes The Round House. The novel portrays the complexities of individual and cultural identity, focuses on the exigencies of marginalization and cultural survival, which happened to Native Americans, as well as concerns about spirituality and the hybrid form of religion, known as spiritual hybridity. Spiritual hybridity appears to be common practices for Native Americans after the arrival of European and the massive spreading of Christianity. This study is conducted to probe the representation of the spiritual hybridity of Native Americans. The novel is examined using Bhabha’s theory on Hybridity. The dialogue and narration in the form of words, phrases, and sentences in the novel are treated as a data source representing the spiritual hybridity of Native Americans. The analysis results in the representation of the spiritual hybridity of Native Americans,which can be considered as their defense against Christian hegemony. Besides, the representation of spiritual hybridity, as a form of third space, occurs due to a mixture of religious beliefs committed by Native Americans after experiencing religious oppression or discrimination. Spiritual hybridity can be concluded as a new pattern of the struggle and resistance of Native Americans to fight for their tradition. Nowadays, spiritual hybridity for Native American remains a form of resistance towards Christian hegemony.
路易·埃德里奇《圆屋》中印第安人的精神隐伏性:后殖民研究
路易斯·埃德里奇是当代美国土著作家,著有《圆屋》。小说描绘了个体和文化身份的复杂性,关注了印第安人的边缘化和文化生存的紧迫性,以及对精神和宗教混合形式的关注,被称为精神杂交。在欧洲人的到来和基督教的大规模传播之后,精神上的杂交似乎是印第安人的普遍做法。本研究旨在探讨美洲原住民精神杂交性的表现。用巴巴的杂交性理论来考察这部小说。小说中以单词、短语和句子形式进行的对话和叙述被视为代表印第安人精神杂交性的数据源。分析结果反映了美洲原住民的精神杂交性,这可以看作是他们对基督教霸权的防御。此外,精神杂交性的表现作为第三空间的一种形式,是由于印第安人在经历了宗教压迫或歧视之后,对宗教信仰的混合而产生的。精神杂交性可以概括为美洲原住民为争取自己的传统而斗争和抵抗的一种新模式。如今,印第安人的精神杂交仍然是对基督教霸权的一种抵抗。
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