THE UNDERSTANDING OF DEATH IN SABAHATTIN ALI'S POEMS

Ammar Hamli MUARICH
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Abstract

Sabah al-Din Ali is considered one of the most important writers of Turkish literature in the twentieth century. Although he wrote important works in many fields such as novels and stories; yet, he wrote some very important poems in Turkish literature. Sabah al-Din Ali was born on 25th of February, 1907 in the city of Egridra, in the province of Adirnah in western Turkey. His family was wealthy and he was a government employee. He died on the 2nd of April, 1948, at the age of 41 leaving many original works. He was a victim of a murder crime on the Turkish-Bulgarian border by a person named Ali Artkin, his body was found and identified at a later time. But the place of burial is unknown. Sabah al-Din Ali is the author of very important works of Turkish literature, such as "Madonna in a Fur Coat", "Sirca Koşek", "The Devil Within and Koyu Teshkli Yusuf", which are well known and adopted by the entire Turkish society. Sabah Al-Din Ali has a poetic identity and personality. All of his poems are very simple, understandable, amazing, shocking and comprehensive. He is considered an easy-to-understand poet and at the same time difficult to understand. His poems are so few that they can be collected in a book of 150 pages. Although he did not write volumes of poems, his poems reflect the simplicity of Turkish poetry. He used, very effectively, the syllabic meter, which is the national poetic unit of the Turks. In his introduction, his poems deal with issues such as pain, grief, death, and separation, and similarly, many poems have been written. As we know, death is a surrender of one’s soul, and as a result, the body is no more able to perform its functions. The body decomposes after death. The journey which starts with death differs according to beliefs. Whether there is life after death has been debated throughout human history, as a result there is no position to confirm or falsify this idea. Although the body decomposes, the artifacts left by the person remain alive and from this we can conclude that death has many dimensions. Throughout history scientists, poets and thinkers have expressed their opinions about this issue and contributed to the examination of death from many aspects. Poets, in particular have done this. In fact, due to the nature of poetry, spirituality comes at the forefront. Although death is material, its effects and depth are spiritual. Sabah al-Din Ali is one of the poets who touched upon this poetic aspect in many poems. This paper starts with this comprehensive abstract, then the poet's personal and literary life are handled. The concept of death will be treated with reference to the poet poems..
沙巴哈廷·阿里诗歌中对死亡的理解
萨巴赫·丁·阿里被认为是二十世纪土耳其文学中最重要的作家之一。虽然他在小说和故事等许多领域都有重要的作品;然而,他在土耳其文学中写了一些非常重要的诗歌。Sabah al-Din Ali于1907年2月25日出生在土耳其西部阿迪那省的Egridra市。他家境富裕,是一名政府雇员。他于1948年4月2日去世,享年41岁,留下了许多原创作品。他是土耳其和保加利亚边境一起谋杀案的受害者,凶手名叫阿里·阿特金,他的尸体后来被发现并确认了身份。但埋葬地点不详。Sabah al-Din Ali是土耳其文学中非常重要的作品的作者,如《穿毛皮大衣的麦当娜》,《Sirca ko ek》,《内心的魔鬼》和《Koyu Teshkli Yusuf》,这些作品被整个土耳其社会所熟知和采用。Sabah Al-Din Ali有着诗意的身份和个性。他所有的诗都很简单,易懂,令人惊叹,震撼和全面。他被认为是一位易于理解的诗人,同时又难以理解。他的诗很少,可以被收集成一本150页的书。虽然他没有写大量的诗,但他的诗反映了土耳其诗歌的朴素。他非常有效地使用了音节格律,这是土耳其人的民族诗歌单位。在他的引言中,他的诗处理了痛苦、悲伤、死亡、分离等问题,类似的,他写了很多诗。正如我们所知,死亡是灵魂的投降,因此,身体不再能够履行其功能。人死后身体会腐烂。从死亡开始的旅程因信仰而异。在整个人类历史上,是否有死后的生命一直是争论的焦点,因此,没有立场可以证实或证伪这一观点。虽然尸体会腐烂,但人留下的物品仍然存在,由此我们可以得出结论,死亡有很多维度。纵观历史,科学家、诗人和思想家对这个问题表达了他们的观点,并从许多方面对死亡的研究做出了贡献。诗人尤其如此。事实上,由于诗歌的本质,灵性是最重要的。虽然死亡是物质的,但它的影响和深度是精神的。Sabah al-Din Ali是在许多诗歌中触及这一诗意方面的诗人之一。本文从这篇综合摘要入手,对诗人的个人生活和文学生活进行了论述。死亡的概念将参考诗人的诗来处理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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