{"title":"Lived beliefs","authors":"M. Makihara, J. L. Rodríguez","doi":"10.1075/lcs.21013.mak","DOIUrl":null,"url":null,"abstract":"\n Rapa Nui (Easter Island, Chile) poetry allows us to understand how lived beliefs can be central to the realization\n of the individual self in community. In this paper, we focus on the poetry of Mata-U’iroa Atan, a Rapa Nui poet who characterizes\n his political project as walking to fly like a bird. His poem Ki Te Reva (‘To the Flag’) exemplifies a particular\n form of corporeal consciousness leading to a project of political persuasion. His poems are written in Rapa Nui, an indigenous\n Polynesian language and draw attention to sociolinguistic and historical “disjunctures” (Meek,\n 2010) in contemporary Rapa Nui community life. We argue that lived beliefs are produced by corporeal consciousness, and\n verbal art can be central to the mobilization of lived beliefs in the process of persuasion for emancipatory praxis. Poetry can\n give people an imagination, and this imagination is constitutive of a kind of truth underlying political projects.","PeriodicalId":252896,"journal":{"name":"Language, Culture and Society","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Language, Culture and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1075/lcs.21013.mak","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Rapa Nui (Easter Island, Chile) poetry allows us to understand how lived beliefs can be central to the realization
of the individual self in community. In this paper, we focus on the poetry of Mata-U’iroa Atan, a Rapa Nui poet who characterizes
his political project as walking to fly like a bird. His poem Ki Te Reva (‘To the Flag’) exemplifies a particular
form of corporeal consciousness leading to a project of political persuasion. His poems are written in Rapa Nui, an indigenous
Polynesian language and draw attention to sociolinguistic and historical “disjunctures” (Meek,
2010) in contemporary Rapa Nui community life. We argue that lived beliefs are produced by corporeal consciousness, and
verbal art can be central to the mobilization of lived beliefs in the process of persuasion for emancipatory praxis. Poetry can
give people an imagination, and this imagination is constitutive of a kind of truth underlying political projects.