Palestinian Postmemory: Melancholia and the Absent Subject in Larissa Sansour's In Vitro, Saleem Haddad's "Song of the Birds," and Adania Shibli's Touch
{"title":"Palestinian Postmemory: Melancholia and the Absent Subject in Larissa Sansour's In Vitro, Saleem Haddad's \"Song of the Birds,\" and Adania Shibli's Touch","authors":"Layla AlAmmar","doi":"10.1353/jlt.2019.0000","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":351084,"journal":{"name":"Journal of Literature and Trauma Studies","volume":"147 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Literature and Trauma Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jlt.2019.0000","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}