Cultural, Artistic, Physical, Medical and Physiological Aspects Fuseli's Mad Kate

R. Scharf
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Abstract

The portrait of Mad Kate has an uncomfortable and emotional effect on its spectators that are forced to confront with her direct gaze. To heighten this effect, Kate was depicted facing a stormy sea lit by flickering bizarre brown shades of light. Mad Kate is a masterpiece drawn by the English Swiss born artist Henry Fuseli. The interpretation of his Mad Kate was made as a dissent against the ferocious treatment of lunatics by society and particularly the treatment of madwomen. Kate was regarded as insane by the contemporary society, because she was painted about thirty years before exophthalmos with goiter was discovered by the Western medicine. Kate was not crazy, but a visual imaging of thyrotoxic with Graves ophthalmopathy. This work is multidisciplinary, as it integrates remote disciplines such as; art, history, culture, psychology, medicine, evolutionary-biology and neurobiology (each discipline/chapter is the prelude to its successor). Furthermore, by the use of these tools I have managed to provide an insight into the various motifs and the scientific knowledge that Fuseli (who was regarded as a Renaissance man by his contemporaries) skillfully managed to incorporate in the depiction of Mad Kate.
富塞利的《疯狂的凯特》的文化、艺术、身体、医学和生理方面
疯狂凯特的肖像对观众产生了一种不舒服和情绪化的影响,他们被迫面对她的直接凝视。为了加强这种效果,凯特被描绘成面对着暴风雨的大海,海面上闪烁着奇怪的棕色阴影。《疯狂的凯特》是英籍瑞士艺术家亨利·富塞利的杰作。他的《疯狂的凯特》被解读为反对社会对疯子的残忍对待,尤其是对疯女人的对待。凯特被当时的社会认为是神经病,因为她是在西方医学发现甲状腺肿大前30年左右画的。凯特没有发疯,但视觉成像显示甲状腺毒性伴格雷夫斯眼病。这项工作是多学科的,因为它整合了远程学科,如;艺术、历史、文化、心理学、医学、进化生物学和神经生物学(每一学科/章节都是后继学科/章节的前奏)。此外,通过使用这些工具,我成功地提供了对各种主题和科学知识的洞察,这些主题和科学知识是富塞利(他的同时代人认为他是文艺复兴时期的人)巧妙地融入了对疯狂凯特的描绘。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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