{"title":"《論語》中以「身」體德的詮釋與觀察","authors":"陳靜容 陳靜容","doi":"10.53106/2306036020200600350002","DOIUrl":null,"url":null,"abstract":"\n 儒家對於道德之意會,常常溢出於言語所能表述的範圍;道德言說,也不一定能夠準確拋擲可辨識的行動意義。在這樣的侷限中,儒學作為一門實踐哲學、生命哲學,若由文獻中抽絲剝繭,則勢必可掘發出儒家道德意義具體展示的重要媒介或管道。\n本文旨在掘發《論語》中的「身體」並非僅是與「心靈」相對的「肉體」,而是活生生的、感覺靈敏的、動態的人類身體,它存在於物質空間、社會空間中,還存在於它自身感知、行動和反思的努力空間中。此「身」通過「隱蔽與感知」、「轉化」、「隱喻代言」與「展演」等四種方式,強化道德實踐之必然性;且「身」可作為「禮」的展演場域,兼容禮「意」與禮「儀」的鋪陳展示,建構「以『身』體德」的儒家道德感知模式。\n As the third part of \"A Study on the Medium of Morality in the Analects of Confucius Series\", this study aims to show that although the body functions are not directly emphasized and the body is not viewed as the base of self-awakening in the Analects of Confucius, the transformation of the body’s senses, actions or experiences is employed to highlight the necessity of practicing morality. Moreover, the \"body\" is regarded as the display field of \"propriety\", involving the development and exhibition of the \"meaning\" and \"practices\" of propriety, while constructing the sensory mode of morality on \"experiencing morality through the body\".\n \n","PeriodicalId":243831,"journal":{"name":"中正漢學研究","volume":"263 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"中正漢學研究","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53106/2306036020200600350002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
儒家對於道德之意會,常常溢出於言語所能表述的範圍;道德言說,也不一定能夠準確拋擲可辨識的行動意義。在這樣的侷限中,儒學作為一門實踐哲學、生命哲學,若由文獻中抽絲剝繭,則勢必可掘發出儒家道德意義具體展示的重要媒介或管道。
本文旨在掘發《論語》中的「身體」並非僅是與「心靈」相對的「肉體」,而是活生生的、感覺靈敏的、動態的人類身體,它存在於物質空間、社會空間中,還存在於它自身感知、行動和反思的努力空間中。此「身」通過「隱蔽與感知」、「轉化」、「隱喻代言」與「展演」等四種方式,強化道德實踐之必然性;且「身」可作為「禮」的展演場域,兼容禮「意」與禮「儀」的鋪陳展示,建構「以『身』體德」的儒家道德感知模式。
As the third part of "A Study on the Medium of Morality in the Analects of Confucius Series", this study aims to show that although the body functions are not directly emphasized and the body is not viewed as the base of self-awakening in the Analects of Confucius, the transformation of the body’s senses, actions or experiences is employed to highlight the necessity of practicing morality. Moreover, the "body" is regarded as the display field of "propriety", involving the development and exhibition of the "meaning" and "practices" of propriety, while constructing the sensory mode of morality on "experiencing morality through the body".
儒家对于道德之意会,常常溢出于言语所能表述的范围;道德言说,也不一定能够准确抛掷可辨识的行动意义。在这样的局限中,儒学作为一门实践哲学、生命哲学,若由文献中抽丝剥茧,则势必可掘发出儒家道德意义具体展示的重要媒介或管道。本文旨在掘发《论语》中的「身体」并非仅是与「心灵」相对的「肉体」,而是活生生的、感觉灵敏的、动态的人类身体,它存在于物质空间、社会空间中,还存在于它自身感知、行动和反思的努力空间中。此「身」通过「隐蔽与感知」、「转化」、「隐喻代言」与「展演」等四种方式,强化道德实践之必然性;且「身」可作为「礼」的展演场域,兼容礼「意」与礼「仪」的铺陈展示,建构「以『身』体德」的儒家道德感知模式。 As the third part of "A Study on the Medium of Morality in the Analects of Confucius Series", this study aims to show that although the body functions are not directly emphasized and the body is not viewed as the base of self-awakening in the Analects of Confucius, the transformation of the body’s senses, actions or experiences is employed to highlight the necessity of practicing morality. Moreover, the "body" is regarded as the display field of "propriety", involving the development and exhibition of the "meaning" and "practices" of propriety, while constructing the sensory mode of morality on "experiencing morality through the body".