The Career Woman and the Princess

R. Velody
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Abstract

Fashioning is critical to explorations of television identities and American melodrama-thriller series Scandal (2012-17) provides opportunities to explore representations of ethnicity together with depictions of interracial romance and intercourse. Utilising semiotics I explore the contribution of costume designer Lyn Paolo to the construction of the Black-American heroine of the series, Olivia Pope, successful career woman and lover of a white, male President. Arguing for the potential of female spectacle and soft-core pornography as progressive I consider Paolo’s influences, suggesting that Olivia’s fashioning transformations illustrate her as dandy-flâneuse, one controlling the visualisation of her identity.
《职业女性与公主
时尚是探索电视身份的关键,美国情节剧惊悚剧《丑闻》(2012-17)提供了探索种族表现的机会,以及对种族间浪漫和交往的描绘。运用符号学,我探讨了服装设计师Lyn Paolo对该系列的美国黑人女主人公Olivia Pope的贡献,Olivia Pope是一位成功的职业女性,也是一位白人男性总统的情人。我认为女性景观和软核色情作品的潜力是进步的,我认为保罗的影响,表明奥利维亚的时尚转变说明她是一个花花公子- fladneuse,一个控制她身份的可视化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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