100 years back, 100 years forward

A. Tostões
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Abstract

The Bauhaus had a pioneering influence on design worldwide which still endures today; through education, experimentation and materialization, a revolution took place in architecture, urbanism and design for mass production. In 1918, during the immediate post-war period, Walter Gropius (1883-1969) achieved a fusion between the Kunstgewerbeschule and the Hochschule fur Bildende Kunst in Weimar, with the creation of an interdisciplinary school of design and crafts. In April 1919, he was elected director of the school which was by then called the Staatliches Bauhaus. He also published the Bauhaus Manifesto, which remains as a pioneering moment in history, with irreversible consequences at a global scale. The Bauhaus as a school, as a method of experimentation, education, and research, embodies the idea of science applied in service of the society. At the Bauhaus, utopia was combined with pragmatism, agitation and propaganda with public service, poetry with utility, Neue Sachlichkeit with creation and freedom. Its premises continue to be relevant today with the great issues of sustainability and democracy needing to be addressed through art and technology.
包豪斯对世界各地的设计产生了开创性的影响,这种影响至今仍在继续;通过教育、实验和物质化,建筑、城市主义和大规模生产的设计发生了一场革命。1918年,在战后时期,沃尔特·格罗皮乌斯(Walter Gropius, 1883-1969)在魏玛实现了Kunstgewerbeschule和Hochschule fur Bildende Kunst的融合,创建了一个跨学科的设计和工艺学院。1919年4月,他被选为当时被称为包豪斯国家学院的校长。他还发表了《包豪斯宣言》,这在历史上仍然是一个开创性的时刻,在全球范围内产生了不可逆转的影响。包豪斯作为一所学校,作为一种实验、教育和研究的方法,体现了科学为社会服务的理念。在包豪斯,乌托邦与实用主义相结合,鼓动和宣传与公共服务相结合,诗歌与实用相结合,新社会主义与创造和自由相结合。它的前提今天仍然与需要通过艺术和技术解决的可持续性和民主的重大问题有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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