Louise Glück’s «Persephone the Wanderer» read from a psychoanalytic and Classical Receptions perspective

Sanae Kichouh Aiadi
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Abstract

Louise Glück provides a compelling example of Classical Receptions in contemporary poetry. Hence, this paper aims at discussing Glück’s psychoanalytic interpretation of the so-called Homeric Hymn to Demeter and «Persephone the Wanderer», a poem pertaining to Glück’s Averno (2006), attempting to demonstrate the appropriation of the myth of Demeter and Persephone from a psychoanalytic approach. After an introduction to the Homeric Hymn to Demeter (Foley, 1994), and Louise Glück and her poem «Persephone the Wanderer», I will compare the myth of Demeter and Persephone in the Homeric Hymn to Demeter with Glück’s «Persephone the Wanderer». From a psychoanalytic perspective, Demeter’s psychological state will be addressed while pointing out her motherhood and her grief, and then I will associate the concept of narcissism to both Demeter and Hades in Glück’s poem and its impact on Persephone.
从精神分析和古典接受的角度阅读路易丝·格尔的《流浪者珀尔塞福涅》
路易丝·格尔克提供了一个令人信服的例子,古典接受在当代诗歌。因此,本文旨在讨论gl ck对所谓的荷马诗歌《得墨忒耳》和《流浪者珀尔塞福涅》的精神分析解释,这是一首与gl ck的《阿弗诺》(2006)有关的诗,试图从精神分析的角度证明对得墨忒耳和珀尔塞福涅神话的挪用。在介绍了《得墨忒尔荷马赞美诗》(Foley, 1994)和路易丝·格尔和她的诗《流浪者珀尔塞福涅》之后,我将比较《得墨忒尔荷马赞美诗》和格尔的《流浪者珀尔塞福涅》中的德墨忒尔和珀尔塞福涅的神话。从精神分析的角度,在指出她的母性和悲伤的同时,探讨得墨忒尔的心理状态,然后将自恋的概念与gl ck诗中的得墨忒尔和哈得斯及其对珀尔塞福涅的影响联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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