Verge

George Oppitz-Trotman
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引用次数: 10

Abstract

The Spanish Tragedy is widely considered a seminal work in English dramatic history, not only for its contemporary popularity but for its influence upon later secular tragedy. Nonetheless the role of its protagonist Hieronimo, as Knight Marshal of the Spanish court, has never been properly defined. This chapter recovers his English office’s ancient connection to the Verge, that is, the legal and virtually sacred space extending from and around the body of the English king. After a sketch of the origins and historical evolution of the Court of the Verge (or Marshalsea), it is shown for the first time how this anachronistic and highly contradictory space informs the structure and logic of the play. Within and around the Verge, role-play and affective alienation were enduringly connected to the performance of revenge. In The Spanish Tragedy, the tragic court took new shape; the avenger appeared on its margins.
边缘
《西班牙悲剧》被广泛认为是英国戏剧史上的一部开创性作品,不仅因为它在当代的流行,而且因为它对后来的世俗悲剧的影响。尽管如此,它的主角Hieronimo,作为西班牙宫廷的骑士元帅,从来没有被恰当地定义过。这一章恢复了他的英国办公室与边缘的古老联系,即从英国国王的身体延伸和周围延伸的合法和几乎神圣的空间。在概述了边缘法院(或Marshalsea)的起源和历史演变之后,它首次展示了这个时代错误和高度矛盾的空间是如何影响戏剧的结构和逻辑的。在边缘内外,角色扮演和情感异化一直与复仇的表现联系在一起。在《西班牙悲剧》中,悲剧宫廷有了新的形态;复仇者出现在书的边缘。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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