The Liminality of Contemporary Culture

Mahesh C. Sharma
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引用次数: 5

Abstract

After these lines of Neo, a character in the semi virtual movie The Matrix, I went to my desk to write this paper. The reason is not far to seek. My mind was seeking the possibilities of such worlda world without rules and controls, without borders or boundaries, a world ...where anything is possible. I saw the modern cultural world as the world of immense possibilitieswith conflicts, assimilation and appropriation. A world which has commands, requests and at the same times this world is virtual too. This is the world of machines and humansthe world of cyborgs. A world of life and death, of ambivalence, of cultural identity crash, of hybridity, of doubtful convictions, in shortthe world of liminality.
当代文化的阈限
在半虚拟电影《黑客帝国》中的角色Neo说完这句话后,我走到书桌前写这篇论文。原因不难寻找。我的思想在寻找这样一个世界的可能性一个没有规则和控制的世界,没有边界和界限,一个世界……一切皆有可能。我把现代文化世界看作是一个充满冲突、同化和挪用的巨大可能性的世界。一个有命令、有要求的世界,同时这个世界也是虚拟的。这是一个机器和人类的世界,一个半机械人的世界。一个生与死的世界,一个矛盾的世界,一个文化认同崩溃的世界,一个混杂的世界,一个怀疑信念的世界,简而言之,一个阈限的世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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