A Tribute to Jonathan Kingdon: ‘Thinking Mammals’: Kingdon'S Research on Mammals in Our Mother Continent

F. Rovero
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Abstract

Jonathan Kingdon, born in Tanzania in 1935 of English parents (his mother was a professional artist and teacher, and his father was then serving the British protectorate as a District Commissioner), is one of the foremost authorities on the study of the diversity and evolution of African mammals. He is also an extraordinary artist, most known for his illustrations of animals that have been placed firmly within the tradition of anatomical drawing finding its origins in Leonardo da Vinci. I have had the privilege of working with Jonathan over the past decade, and I am honoured to offer a tribute to his unparalleled work. I will primarily focus on Kingdon as an extraordinary scientist and illustrator of African mammals, the reach of his message as a source of inspiration and learning for generations, and his ultimate and pervasive call for the wisdom of modern societies to protect and maintain such incredible diversity of species against the alarming risk of extinction. He often brings up a very compelling and yet philosophical reason for this call, among the several others that would be equally well justified: “We became human in a very specific setting—within rich communities of African animals and plants. To destroy these communities is to detach ourselves, irrevocably, from our biological, even our intellectual past. To drift, senseless of our origins, is to impoverish science and medicine, to mythologise and trivialise our culture and to diminish us as descendants of countless generations of intelligent African mammals.” 2 The essence and significance of Kingdon’s work as a zoologist and evolutionary biologist stands, in my view, on two complementary sides of his investigation: the unprecedented production of a progressively augmented portrait of the diversity of African mammals, where each of the over 1100 species finds a space in the grand scheme, and the theoretical, synthetic research into the patterns of evolution of this extraordinary diversity that happened uniquely in Africa. This blend of scientific production, and its diffusion to the general public through several books, among which are the beautifully illustrated field guides to African mammals, is indeed without peer. It first entered the public domain with the seven volumes
向乔纳森·金登致敬:《思考的哺乳动物》:金登对我们大陆母亲哺乳动物的研究
乔纳森·金登1935年出生于坦桑尼亚,父母是英国人(他的母亲是一名专业艺术家和教师,他的父亲当时在英国的保护国担任地区专员),是研究非洲哺乳动物多样性和进化的最重要的权威之一。他也是一位非凡的艺术家,最著名的是他的动物插图,这些插图被牢牢地放在了解剖学绘画的传统中,而这一传统起源于列奥纳多·达·芬奇。在过去的十年里,我有幸与乔纳森一起工作,我很荣幸向他无与伦比的工作致敬。我将主要关注Kingdon作为一位杰出的科学家和非洲哺乳动物的插画家,他所传达的信息是几代人的灵感和学习的源泉,以及他对现代社会智慧的终极和普遍呼吁,以保护和维持如此令人难以置信的物种多样性,防止令人担忧的灭绝风险。他经常为这一呼吁提出一个非常令人信服的哲学理由,在其他几个同样合理的理由中:“我们在一个非常特殊的环境中成为人类——在非洲丰富的动植物群落中。摧毁这些社区就是将我们自己不可挽回地从我们的生物,甚至我们的智力过去中分离出来。漂泊不定,对我们的起源毫无意识,会使科学和医学贫乏,使我们的文化神话化和庸俗化,并贬低我们作为无数代聪明的非洲哺乳动物的后代的地位。在我看来,作为动物学家和进化生物学家,金登的工作的本质和意义在于他的研究的两个互补方面:一是前所未有地对非洲哺乳动物的多样性进行了逐步增强的描绘,其中超过1100种哺乳动物中的每一种都在这个宏大的计划中找到了一席之地;二是对非洲独特的非凡多样性的进化模式进行了理论的综合研究。这种科学成果的融合,以及通过几本书向公众传播,其中包括插图精美的非洲哺乳动物野外指南,确实是无与伦比的。它第一次进入公共领域与七卷
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