Symbolic forms in Church architecture: a case study of Saint Augustine Catholic Church Ikorodu, Lagos State

Ogunyemi Gabriel Olaoye, A. Iweka, T. Adejumo, Omolola Adenubi, O. Chukwuka
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Abstract

A religious building is nothing less than the symbolic representation of the tradition, values, culture and creativity levels of the special territory in which it stands. Each type of church architecture may have different symbolic qualities, but every church building transmits some symbolic messages. Human beings provide meanings to the images that are received from objects by their symbolic minds. The study examined architectural spaces in Saint Augustine Catholic Church Ikorodu, in Ikorodu Division of Lagos State Nigeria enacting from the perspective of indigenous form, art and symbols. It demonstrates the integration of cultural heritage, traditional forms, material availability, arts and symbols into the architecture of Catholic Church. The study is an historical, explanatory, qualitative using the methods of observation and focused interviews. The Church architecture illustrates how influences from indigenous and local forms and symbols have been incorporated in sacred spaces in the Catholic Church. The study expounded knowledge for the clergy and the institution of religion bodies and the enlightenment of academic expository. KEY WORDS: Catholic Church, Church Architecture, Culture, Ikorodu, Symbols.
教堂建筑中的象征形式:以拉各斯州Ikorodu圣奥古斯丁天主教堂为例
一座宗教建筑是它所处的特殊地区的传统、价值观、文化和创造力水平的象征性代表。每种类型的教堂建筑可能具有不同的象征性,但每个教堂建筑都传递着一些象征性的信息。人类通过他们的符号思维为从物体接收到的图像提供意义。该研究考察了尼日利亚拉各斯州Ikorodu区的圣奥古斯丁天主教堂Ikorodu的建筑空间,从土著形式、艺术和符号的角度进行了设计。它展示了文化遗产、传统形式、材料可用性、艺术和符号与天主教教堂建筑的融合。本研究采用观察法和焦点访谈法,采用历史性、解释性、定性研究方法。教堂建筑展示了如何将土著和当地形式和符号的影响融入天主教教堂的神圣空间。本研究对神职人员和宗教机构的制度知识的阐述以及对学术说明文的启示。关键词:天主教堂,教堂建筑,文化,Ikorodu,符号
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