Learning Informally

Maxwell Godwin Openjuru Ladaah, G. Openjuru, K. Sanford, B. Jayme, Dave Monk
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Abstract

This paper advocates for the inclusion of the arts in vocational learning programs in Uganda, as an integrated form of holistic learning oriented towards empowerment and entrepreneurship. Using community-based research in the context of vocational education and training (VET), our data emerged from open-ended interviews, focus groups and youth-led radio talk shows with stakeholders from public and private sectors, instructors, artists, NGO’s. Three significant themes arose from the data collected. Firstly, the pathways available to learners to become artists are limited by neoliberal and technicist orientations towards education. Secondly, there are significant potential opportunities and interests. Secondly,  there is a thriving informal youth-led arts community in northern Uganda, which thirdly, without ways for learners to generate income, they are not able to devote their time to learning through the arts, and their artistic endeavours are not recognized as important skills in their communities or in society. We demonstrate that there is a vibrant space in the informal sector of arts, that if supported could become important and much needed sectors Uganda.
非正式学习
本文主张将艺术纳入乌干达的职业学习计划,作为一种面向赋权和创业的整体学习的综合形式。在职业教育和培训(VET)的背景下,我们采用基于社区的研究,数据来自开放式访谈、焦点小组和青年主导的广播谈话节目,参与者包括公共和私营部门的利益相关者、教师、艺术家和非政府组织。从收集的数据中产生了三个重要主题。首先,学习者成为艺术家的途径受到新自由主义和技术主义教育取向的限制。其次,存在巨大的潜在机遇和利益。其次,在乌干达北部有一个蓬勃发展的非正式青年主导的艺术社区。第三,由于学习者无法获得收入,他们无法将时间投入到艺术学习中,他们的艺术努力在社区或社会中也不被视为重要技能。我们证明,在非正式的艺术领域有一个充满活力的空间,如果得到支持,它可以成为乌干达重要和急需的领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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