THE DEAD IN POLISH FOLK PROSE

Iwona Rzepnikowska
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Abstract

The paper dwells upon the image of the dead in tales of the two plot types, namely, T 366 “Trup upomina się o swoją własność” (АТU 366 “The Man from the Gallows”) and T 470* “Zmarły urażony” (АТU 470А “The Offended Skull”), formally classified by the author of the Polish folk prose index as fairy tales, but they are in fact in full compliance with basic genre conventions of mythological tales (fabulates). Therefore, the dead in those plot types act not as the fairy-tale but mythological character. Nominations, as well as certain other features, of the “otherworld” characters in those narratives reflect the duality of folk perceptions regarding a person’s lot after their demise. The dead are perceived as scary creatures that pose danger – but the reason for that lies in the humans’ own trespassing against the dead: disturbing their rest. The degree to which the dead are portrayed as demonic, that is, ungracious and vengeful towards the humans, varies and is expressed both in the plot types being compared in general and in specific textual realizations of the same plot.
波兰民间散文中的死者
本文对t366《Trup upomina sioswojoe własność》(АТU 366《绞刑架上的人》)和t470 *《Zmarły urażony》(АТU 470А《被冒犯的骷髅》)两种情节类型的故事中的死者形象进行了研究,这两种情节类型的故事被波兰民间散文索引的作者正式归类为童话,但实际上它们完全符合神话故事(虚构)的基本类型惯例。因此,这些情节类型中的死者并不是童话人物,而是神话人物。这些叙事中“另一个世界”人物的提名,以及某些其他特征,反映了人们对一个人死后命运的双重看法。死者被认为是可怕的生物,会带来危险——但原因在于人类自己侵入了死者:打扰了他们的安息。死者被描绘成恶魔的程度,也就是说,对人类的无情和报复,在一般比较的情节类型和同一情节的具体文本实现中都有所不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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