Floronyms in S. A. Yesenin's lyrics

Y. A. Yuzhakova
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Abstract

The lexemes of the thematic group «Nominations of the plant world» are very common in the poetry of S. A. Yesenin, which determines the significance of this thematic component for the author. The article attempts to classify and analyze the floronyms selected from the lyrical poems of the poet in volume 1 of the complete works. The purpose of this article is to analyze the frequency and features of using floronyms in lyrics, as well as to trace the patterns of development of S. A. Yesenin's idiostyle. The paper shows the use of lexemes from the following subgroups: names of trees, shrubs, flowers, herbs, grains and vegetables. Their main functions in the poetic text are to create a landscape, with floronyms most often evoking memories of one's native land, as well as to portray the lyrical hero's inner suffering. The central image of nature – the birch tree – had a direct true connection with the poet's homeland, and the whole of Russia was «birch-like» for S.A. Yesenin. Yesenin's birch tree becomes the "heroine" of most of his poems as a symbol of love for his country, his homeland, his father's home. The peculiarities of word usage, such as metaphorical transfer of meanings, artistic personification, violation of lexical compatibility, create the individual style of the poet Sergey Yesenin. In addition, the use of lexemes of this thematic group shows the poet's closeness to nature and people, the mythological ideas of herbs and trees from his childhood, folklore traditions representing the Russian nature and soul, which expands our understanding of the linguistic and poetic picture of S. Yesenin's world.
叶塞宁歌词中的Floronyms
专题组“植物世界的提名”的词素在叶塞宁的诗歌中非常常见,这决定了这一主题组成部分对作者的重要性。本文试图对《全集》第一卷中选取的诗人抒情诗中的floronyms进行分类和分析。本文旨在分析叶塞宁歌词中使用floronyms的频率和特点,并探寻叶塞宁独特风格的发展模式。这篇论文展示了从以下亚群中使用词素:树木、灌木、花卉、草本植物、谷物和蔬菜的名称。它们在诗歌文本中的主要功能是创造一种景观,用floronyms最常唤起人们对故土的记忆,以及描绘抒情英雄的内心痛苦。自然的中心形象——白桦树——与诗人的家乡有着直接的联系,对叶塞宁来说,整个俄罗斯都是“白桦树”。叶塞宁的桦树成为他大部分诗歌的“女主角”,象征着对他的国家,他的家园,他父亲的家的爱。叶塞宁的词性特点,如隐喻性的意义转移、艺术的人格化、对词汇兼容性的违背,造就了叶塞宁的个人风格。此外,这个主题组的词素的使用显示了诗人对自然和人的亲近,他童年时期的草药和树木的神话观念,代表俄罗斯自然和灵魂的民间传说传统,这扩大了我们对叶塞宁世界的语言和诗歌图景的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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