Interpreting Mayall's 'Principles in Design'

P. Taylor
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引用次数: 4

Abstract

Design-a foundation of software engineering-has its own base of theory originating in architecture and spanning diverse disciplines. The paths of software and design theory separated when software design aligned with the engineering and production metaphors in the interests of manageability and formalism. The two disciplines have continued independent discourses, despite some important similarities. However, economic pressures and technology convergence may be forcing a reconciliation of sorts. As software becomes a pervasive design fabric, designers working in a range of media will converge, and from a systems perspective, lightweight development paradigms appear to be challenging the overheads of incumbent process-intensive engineering models. It is timely to go back to the point of divergence to see just how far modern software design norms have strayed from basic design theory of several decades ago. This paper examines Mayall's 'Principles in Design' (1979) and presents an interpretation of how contemporary software design relates to this unofficial design canon. Mayall's ten principles are treated as an assessment instrument, to provide a mirror on current attitudes and perceptions of the role of design in software engineering.
解读Mayall的“设计原则”
设计是软件工程的基础,它有自己的理论基础,起源于架构,并跨越不同的学科。当软件设计为了可管理性和形式化而与工程和生产隐喻保持一致时,软件和设计理论的路径就分离了。尽管有一些重要的相似之处,这两个学科仍在继续独立的论述。然而,经济压力和技术融合可能会迫使双方达成某种和解。随着软件成为一种普遍存在的设计结构,在各种媒体中工作的设计人员将会聚集在一起,从系统的角度来看,轻量级开发范式似乎正在挑战现有的过程密集型工程模型的开销。现在是时候回到分歧点,看看现代软件设计规范偏离几十年前的基本设计理论有多远了。本文考察了Mayall的“设计原则”(1979),并对当代软件设计如何与这个非官方的设计经典相关联进行了解释。Mayall的十项原则被视为一种评估工具,以反映当前对软件工程中设计角色的态度和看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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