Voicing the Voiceless

T. Natarajan
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Abstract

Cinema always represented the society, and any visual representation about ‘not so commonly discussed' topics becomes crucial as they are the image blocks for the future generation. The power of cinema is high among Tamil audience, which is evident from the emergence of two great political leaders who are byproducts of it. It is essential to understand how sexual minorities are represented in a culture-specific society. In India, representation of the third gender was insensitive, and Tamil cinema is no exception. These representations cannot be ignored as ‘just in screen' as screen represents reality. Nevertheless, few fair images are making a significant impact on the audience about transgender. Studying representations about sexual minorities in Tamil cinema is important in today's context, where young minds are exposed to digital platforms. This chapter explains the description of the transgender community in Tamil cinema and analyses its impact on society.
为无声者发声
电影总是代表着社会,任何关于“不太常被讨论”的话题的视觉表现都变得至关重要,因为它们是下一代的图像块。电影的力量在泰米尔观众中很高,这从电影的副产品——两位伟大的政治领袖的出现就可以看出。了解性少数群体在特定文化社会中的表现是至关重要的。在印度,对第三性别的表现是麻木不仁的,泰米尔电影也不例外。这些表现不能被忽视,因为“只是在屏幕上”,因为屏幕代表现实。然而,很少有关于变性人的公平形象对观众产生重大影响。在今天的背景下,研究泰米尔电影中关于性少数群体的表现是很重要的,因为年轻人的思想暴露在数字平台上。本章解释了泰米尔电影中对跨性别群体的描述,并分析了其对社会的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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