‘If thou reckon right’: Angels from John Calvin to Jonathan Edwards via John Milton

Kenneth P. Minkema
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Abstract

Jonathan Edwards (1703–1758) was part of a neo-Calvinist heritage, but he did not claim to be a disciple of the Genevan Reformer. One area of divergence in interpretation was their teachings about angels. Calvin lessened the roles of angels, ascribing to them certain mysteries beyond human comprehension, while Edwards explored angelic nature and history, initially seeing analogies between angels and humans, and then as part of his grand project, A History of the Work of Redemption. In the process, he was shaped by authors in his New England past, including Increase and Cotton Mather, who intently explored the supernatural realm. He also drew on a variety of religious poets within Anglo-American Protestant religious culture that included John Milton, whose influential depiction of the angelic and human fall in Paradise Lost provided inspiration for Edwards’ own redemptive narrative.
“如果你算对了”:天使从约翰·加尔文到乔纳森·爱德华兹,再到约翰·弥尔顿
乔纳森·爱德华兹(1703-1758)是新加尔文主义遗产的一部分,但他并没有声称自己是日内瓦改革家的门徒。在解释上的一个分歧是他们对天使的教导。加尔文弱化了天使的角色,将某些人类无法理解的奥秘归因于天使,而爱德华兹则探索了天使的本性和历史,最初看到了天使和人类之间的类比,然后作为他宏伟计划的一部分,《救赎工作的历史》。在这个过程中,他受到了新英格兰时代作家的影响,包括英克里斯(Increase)和科顿·马瑟(Cotton Mather),他们专注于探索超自然领域。他还借鉴了英美新教宗教文化中的各种宗教诗人,其中包括约翰·弥尔顿,他在《失乐园》中对天使和人类堕落的有影响力的描述为爱德华兹自己的救赎叙事提供了灵感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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