Коды «мужского» и «не-мужского» в художественном мире Morpho Eugenia А.С. Байетт

Ирина Попова-Бондаренко
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引用次数: 0

Abstract

Morpho Eugenia is the first part of the postmodernist novel Angels and Insects by A.S. Byatt. The male world is represented here in abundance by numerous names of famous naturalists, philosophers and poets of the XVII-XVIII centuries and of Victorian England, as well as by the male characters of the novel. It is pointed out that the concepts of “masculine” and “non-masculine” in the novel presuppose double reading, namely, the traditional (Victorian) and posttraditional one (neo-Victorian). In the neo-Victorian interpretation, most of the male characters in the novel are devoid of traditional masculine qualities (honor and dignity, commitment to the cause, inner strength), they bear a stigma of vice (incest), while the “male organization” features of the central female character, non-typical for a Victorian woman (talent, efficiency, perseverance, energy, self-reliance), contribute to the formation of an integral harmonious world of men and women as friends, lovers, like-minded people.
《Morpho Eugenia》是拜厄特后现代主义小说《天使与昆虫》的第一部分。男性世界在这里被大量地代表了,许多著名的博物学家,哲学家和诗人的名字,在十七至十八世纪和维多利亚时代的英国,以及小说中的男性角色。文章指出,小说中“男性化”和“非男性化”的概念预设了双重阅读,即传统(维多利亚时代)和后传统(新维多利亚时代)的双重阅读。在新维多利亚时代的解读中,小说中的大多数男性角色都缺乏传统的男性特质(荣誉和尊严,对事业的承诺,内在的力量),他们承担着邪恶的耻辱(乱伦),而中心女性角色的“男性组织”特征,对于维多利亚时代的女性来说是非典型的(才能,效率,毅力,精力,自力更生),有助于形成一个完整的和谐世界,男人和女人作为朋友,爱人,志趣相投的人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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