Building a Practical Past: Wayson Choy's Paper Shadows

Alain Régnier
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Abstract

The childhood memoir of Chinese Canadian author Wayson Choy, Paper Shadows, made its first appearance more than twenty years ago. Having played a prominent role in the emergence of Asian Canadian literature that took place toward the end of the last century, Choy is best remembered for his first novel, The Jade Peony, published in 1995. Set in Vancouver’s Chinatown during the 1930s and 1940s, the novel depicts the life of a Chinese immigrant family from the point of view of its three youngest, Canadian-born children. In the memoir Paper Shadows, Choy portrays the lived experience that went into the writing of what would become his bestselling work of fiction. In April 2019, Choy died in his Toronto home at the age of eighty. It was in the fall of 1995, at the age of fifty-six, while in Vancouver to promote the release of The Jade Peony, that Choy learned in a rather abrupt way from an unknown Chinatown woman that he had been adopted as a child. The discovery would lead to the writing of Paper Shadows, and the story of this moment and the author’s subsequent delving into his family’s past frames the main narrative of the memoir. Choy was never able to uncover the identity of his birth parents, although he was eventually told that his father was a member of a Cantonese opera company that was active in Building a Practical Past: Wayson Choy’s Paper Shadows
建立一个实用的过去:Wayson Choy的纸影
加拿大华裔作家蔡伟森的童年回忆录《纸影》在二十多年前首次出版。他在上世纪末加拿大亚裔文学的兴起中发挥了重要作用,他最广为人知的作品是1995年出版的第一部小说《玉牡丹》。这部小说以20世纪三四十年代的温哥华唐人街为背景,从一个中国移民家庭三个最小的加拿大出生的孩子的角度描绘了他们的生活。在回忆录《纸影》(Paper Shadows)中,崔龙海描绘了自己的亲身经历,这些经历后来成为他最畅销的小说作品。2019年4月,崔在多伦多的家中去世,享年80岁。那是在1995年的秋天,时年56岁的崔龙海在温哥华为《玉牡丹》的发行做宣传时,突然从一个不知名的唐人街女人那里得知他小时候被收养了。这一发现导致了《纸影》的写作,这一时刻的故事以及作者随后对家庭过去的深入研究构成了这本回忆录的主要叙述。蔡伟森一直没能说出亲生父母的身份,尽管他最终被告知,他的父亲是一家粤剧公司的成员,该公司在《建立一个实用的过去:蔡伟森的纸影》(Building a Practical Past: Wayson Choy 's Paper Shadows)中很活跃
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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