Outer Space Narrative and Humanity’s Limits: Will the Space Traveler Meet Agamben’s homo sacer

Lena Quelvennec
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Abstract

Outer space conquest during the twentieth century has produced new perspectives on borders and the notion of globalization. Space programs have produced extensive images, influencing both representations of the Earth and of humanity. Today, some individuals still wish to represent the whole of humanity outside of its original borders when traveling to Mars and even further. However, behind the question of what kind of humanity was and is represented, the sensitive issue of who belongs to this narrative is raised. As a first step and influenced by the art project I Will Build My Own Rocket, this paper will describe the influence of the space conquest narrative on perceptions of Earth’s borders. The ways in which both NASA and more recently Mars One shape humanity’s representations and its representatives will be analyzed to investigate who belongs to their space narrative. After presenting three different portraits of aspiring space travelers, a parallel between the space traveler's position and the figure of Giorgio Agamben’s homo sacer will be offered, questioning how this may interfere with the space utopia of a perfect humanity elsewhere.
外太空叙事和人类的极限:太空旅行者会遇到阿甘本的人类吗
二十世纪对外层空间的征服产生了关于边界和全球化概念的新观点。太空计划产生了大量的图像,影响了地球和人类的表现。今天,一些人仍然希望在前往火星甚至更远的地方旅行时代表整个人类超越其原始边界。然而,在过去和现在表现的是什么样的人性的问题背后,提出了谁属于这种叙述的敏感问题。作为第一步,受艺术项目“我将建造我自己的火箭”的影响,本文将描述太空征服叙事对地球边界感知的影响。NASA和最近的“火星一号”塑造人类及其代表的方式将被分析,以调查谁属于他们的太空叙事。在展示了三幅不同的有抱负的太空旅行者的肖像后,将太空旅行者的位置与乔治·阿甘本(Giorgio Agamben)的“圣人”(homo sacer)的形象进行比较,并质疑这将如何干扰其他地方完美人类的太空乌托邦。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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