Księga Twarzy. Rysunki Brunona Schulza w Bystrzycy Kłodzkiej

Magdalena Wasąg
{"title":"Księga Twarzy. Rysunki Brunona Schulza w Bystrzycy Kłodzkiej","authors":"Magdalena Wasąg","doi":"10.26881/sf.2019.13.14","DOIUrl":null,"url":null,"abstract":"Bruno Schulz’s drawings in which we may find the faces of his friends and colleagues, the students and teachers of the Drogobych high school, have been scattered. Most of them perished during World War II. Some of those which have been preserved now belong to private collections. Thanks to a favorable coincidence, some pencil sketches by Schulz have been found in such a collection. They show an intriguing young woman, Stanisława Szczepańska, who in 1934-1936 worked as an unpaid teacher at the Drogobych high school. There she met Schulz who drew her portraits during school breaks as well as during lessons, when he would come in, take a seat in the last row, and draw her face. Until now little has been known about Szczepańska. After so many years it is worth disclosing a secret: who was she? What happened to her later? How did it happen that Schulz noticed her? How was it possible to save the drawings? The present paper provides answers to these and many other questions as the author has made an attempt to show how Szczepańska’s biography became a part of Schulz’s artistic heritage. Pencil sketches definitely belong to a more general project of the Drogobych artist as exercises in portraying faces both in drawing and fiction. Studying faces was very important to Schulz. In his work, the drawing practice and fiction are closely related to each other. To find out more about them, it is essential to find and save Schulz’s scattered works. This postulate has been articulated in the paper supplemented with the reproductions of Schulz’s sketches and photographs from the Hoffmann family collection. The portraits of Szczepańska tell a unique story – about charm, the art of seeing, and Schulz’s Book of Faces.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"201 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Schulz/Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26881/sf.2019.13.14","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Bruno Schulz’s drawings in which we may find the faces of his friends and colleagues, the students and teachers of the Drogobych high school, have been scattered. Most of them perished during World War II. Some of those which have been preserved now belong to private collections. Thanks to a favorable coincidence, some pencil sketches by Schulz have been found in such a collection. They show an intriguing young woman, Stanisława Szczepańska, who in 1934-1936 worked as an unpaid teacher at the Drogobych high school. There she met Schulz who drew her portraits during school breaks as well as during lessons, when he would come in, take a seat in the last row, and draw her face. Until now little has been known about Szczepańska. After so many years it is worth disclosing a secret: who was she? What happened to her later? How did it happen that Schulz noticed her? How was it possible to save the drawings? The present paper provides answers to these and many other questions as the author has made an attempt to show how Szczepańska’s biography became a part of Schulz’s artistic heritage. Pencil sketches definitely belong to a more general project of the Drogobych artist as exercises in portraying faces both in drawing and fiction. Studying faces was very important to Schulz. In his work, the drawing practice and fiction are closely related to each other. To find out more about them, it is essential to find and save Schulz’s scattered works. This postulate has been articulated in the paper supplemented with the reproductions of Schulz’s sketches and photographs from the Hoffmann family collection. The portraits of Szczepańska tell a unique story – about charm, the art of seeing, and Schulz’s Book of Faces.
布鲁诺·舒尔茨(Bruno Schulz)的画作中,我们可以看到他的朋友和同事,德罗戈比奇高中的学生和老师的脸,已经散落在各处。他们中的大多数人在第二次世界大战中丧生。其中一些保存下来的现在属于私人收藏。由于一个有利的巧合,舒尔茨的一些铅笔素描在这样一个集合中被发现。他们展示了一个迷人的年轻女子Stanisława Szczepańska,她在1934年至1936年期间在德罗戈比奇高中担任无薪教师。在那里,她遇到了舒尔茨,他在课间休息和上课时给她画肖像,当他进来时,坐在最后一排,画她的脸。到目前为止,人们对Szczepańska知之甚少。这么多年过去了,有必要披露一个秘密:她是谁?后来她怎么样了?舒尔茨是怎么注意到她的?怎么可能保存这些图纸呢?本文提供了这些和许多其他问题的答案,因为作者试图展示Szczepańska的传记如何成为舒尔茨艺术遗产的一部分。铅笔素描绝对属于德罗戈比奇艺术家的一个更普遍的项目,作为绘画和小说中描绘面部的练习。研究面孔对舒尔茨来说非常重要。在他的作品中,绘画实践和虚构是密切相关的。为了了解更多关于他们的信息,有必要找到并保存舒尔茨散落的作品。这一假设已在论文中阐明,并辅以舒尔茨的草图和霍夫曼家族收藏的照片的复制品。Szczepańska的肖像讲述了一个独特的故事——关于魅力、视觉艺术和舒尔茨的《面孔之书》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信