ANALISIS SEMIOTIKA DALAM KESENIAN KUDA LUMPING BIMA SAKTI

SOURCE : Jurnal Ilmu Komunikasi Pub Date : 2019-10-22 DOI:10.35308/SOURCE.V5I1.1114

Reni Juliani, Rahma Hidayati, Winda Trisniawati

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Abstract

This research aims to determine the meaning of Kuda Lumping Bima Sakti Art performance. The research method used is descriptive qualitative. The main research informant was Jono Suwito as an elder and handler in Kuda Lumping Bima Sakti Art. Research data was collected by conducting direct observation, interviews and documentation. The results of this research indicated that the meaning of denotation of Kuda Lumping Bima Sakti Art as a whole is a show that in every movement there is a bond of dance in culture. There are also meanings of a community life and a religious belief. The connotation meaning of Kuda Lumping Bima Sakti Art is how to respond and believe that every culture has its own beliefs and from this connotation meaning, human must believe that God and supernatural exist. And the meaning of myth of Kuda Lumping Bima Sakti Art is that in daily life humans cannot be seperated from supernatural matters. Then the key to all of Kuda Lumping Bima Sakti Art rituals is that all movements have meaning from where the dance originated. The main key is to remind humans of God or return to their origin, namely the Creator.Keywords: Semiotics, Kuda Lumping, and Bima Sakti

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本研究旨在确定库达集平比玛萨克提艺术表演的意义。使用的研究方法是描述性定性的。主要的研究对象是Jono Suwito，他是Kuda Lumping Bima Sakti艺术的长老和导师。通过直接观察、访谈和文献资料收集研究数据。研究结果表明，库达集平比玛萨克提艺术整体的外延意义在于，在每一个动作中都有舞蹈文化的纽带。还有社区生活和宗教信仰的意义。库达Lumping Bima Sakti艺术的内涵意义是如何回应和相信每一种文化都有自己的信仰，从这个内涵意义上说，人类必须相信上帝和超自然的存在。而库达集平比玛萨提艺术的神话意义在于，在日常生活中，人与超自然的事物是分不开的。那么所有库达集平比玛萨提艺术仪式的关键是所有动作都有舞蹈起源的意义。主要的关键是提醒人类的上帝或回到他们的起源，即创造者。关键词:符号学，库达集整，比马萨克提

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SOURCE : Jurnal Ilmu Komunikasi

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