HYBRIDITY IN POPULAR CULTURE: A TRANSNATIONAL ANALYSIS OF AMERICAN ADAPTATIONS OF JAPANESE MOVIES IN 21st CENTURY

Della Putri Febrina
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Abstract

American popular culture has developed from time to time in producing the products. In the progress, the popular product has been modified to satisfy the taste of the consumer and Hollywood is being the one of popular product maker which applied modifications in manufacturing movies; and the result of the development is hybridity seen in Hollywood movies.The journal is written under American Studies discipline, by applying transnational analysis as the basis of the study. Furthermore, the research also used the theory of hybridity in constructing the analysis which concerned about American adaptations of Japanese original movies, namely The Grudge, Hachi: A Dog’s Tale, and Godzilla. The method used in the journal is the qualitative research which comprises the library research by analyzing the three movies as the primary data and the information of the production as the secondary data.There are some conclusions met in the analysis. Being the first one is the three movies definitely adopt American and Japanese narratives and build a new sphere where the two nations living under the same frame. The adoption includes adoption of values, language, and iconic figure in Japan. Then, the second discussion which intended to see the changing of values and taste in Hollywood has resulted some conclusions that the Hollywood has power in shifting the values of the original movies which defined as eastern values to be the ones which related to American values and the three American adaptations in the journal trigger the emergence of American movies with Asian narratives. Keywords: Hybridity, transnational, Hollywood, movies, popular culture, adaptation
流行文化中的混杂:21世纪美国对日本电影改编的跨国分析
美国流行文化在生产产品的过程中不断发展。在这一过程中,流行的产品被修改以满足消费者的口味,好莱坞是将修改应用于电影制作的流行产品制造商之一;这种发展的结果就是好莱坞电影中出现的混血。本刊在美国研究学科下撰写,运用跨国分析作为研究的基础。此外,本研究还运用混合理论构建了对《咒怨》、《八公的狗的故事》和《哥斯拉》等日本原著电影的美国改编的分析。本刊所采用的研究方法是定性研究,即以三部电影为主要资料,以图书馆研究为主要资料,以制作资料为次要资料。在分析中得出了一些结论。作为第一部,这三部电影绝对采用了美国和日本的叙事方式,建立了两国生活在同一框架下的新领域。采纳包括采纳日本的价值观、语言和标志性人物。然后,第二次讨论旨在看到好莱坞价值观和品味的变化,得出了一些结论,即好莱坞有能力改变原始电影的价值观,将东方价值观定义为与美国价值观相关的价值观,并且杂志上的三次美国改编引发了具有亚洲叙事的美国电影的出现。关键词:杂交,跨国,好莱坞,电影,流行文化,改编
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