The Singing Gallery: Combining Music and Static Visual Artworks

Oliver Bramah, Xiaoling Cheng, Fabio Morreale
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引用次数: 2

Abstract

This paper presents, The Singing Gallery, an artistic exploration developed to discover the extent to which music can affect one's viewing experience of static visual artworks in a gallery setting. This project was conceived to explore integration between vision and sound in an art gallery environment. Specifically, we aimed to assess the extent to which musical cues can enhance or modify the viewer's experience of abstract art. The Singing Gallery takes shape in the form of a virtual reality (VR) art gallery, featuring a selection of visual artworks. Each artwork is associated with a unique piece of acousmatic music, which has been specifically composed for by the first author, which increases in volume as the audience member moves towards the painting. In the paper, we discuss the epistemological grounding and detail the development of the interactive VR system. We then offer concluding remarks based on auto-ethnographic reflections.
歌唱画廊:音乐与静态视觉艺术的结合
本文介绍了《歌唱画廊》,这是一项艺术探索,旨在发现音乐在多大程度上影响一个人在画廊环境中观看静态视觉艺术品的体验。该项目旨在探索艺术画廊环境中视觉与声音的融合。具体来说,我们旨在评估音乐线索在多大程度上可以增强或改变观众对抽象艺术的体验。歌唱画廊以虚拟现实(VR)艺术画廊的形式形成,以精选的视觉艺术品为特色。每件艺术品都与一段独特的原声音乐相关联,这段音乐是由第一作者专门创作的,随着观众走向画作,音量会增加。在本文中,我们讨论了认识论基础,并详细介绍了交互式VR系统的发展。然后,我们提供基于自我民族志反思的结束语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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