Output Limitation/Compression

J. Heide
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Abstract

The primary objective of an adequate hearing aid fitting is to achieve amplification of acoustic energy at all frequencies in the audible range of human hearing. Most important is the ability to present speech information at a comfortable loudness level without exceeding the user's loudness discomfort when input signals are increased at the microphone of the hearing aid. This objective is easily and naturally accomplished for normal hearing individuals in whom the dynamic range of hearing covers an area from the threshold of hearing to the threshold of discomfort and pain of more than 125 to 130 dB SPL. The input to the ear in most environments, from quite to very loud, basically covers the same range. Normal hearing individuals are able to protect against a discomfort producing sound level by removing themselves from the loud sound or by providing some sort of input limitations such as covering the ears. This objective is not as easily accomplished when dealing with most types of sensorineural hearing impairment wherein the dynamic range of residual hearing is far smaller than the range for normal environmental sounds. The dynamic range of hearing is that range of intensities with which the ear can deal effectively; from the weakest to the loudest sound or from threshold of hearing to threshold of loudness discomfort. As mentioned earlier, this range is very large for normal hearing individuals (approximately 125-130 dB). In the presence of hearing impairment, the dynamic range of hearing is often decreased dramatically. For example, an individual with a threshold of hearing at 50 dB and a threshold of discomfort at 110 dB will only be able to deal effectively with the range of 50 to 110 dB or a dynamic range of 60 dB. Over the years, output limiting in hearing aids has been used to protect the user against loudness discomfort or pain when input signals reach critical levels. From an engineering view, this has been accomplished by means of compression or peak clipping circuits. The peak clipping circuits are fairly simple to employ in that the objective is to protect the user against excessive loudness. However, compression amplification is probably the most difficult and confusing system to investigate and understand in the appropriate fitting of hearing losses with amplification. Conventional, linear amplifiers function on a 1:1 ratio relating input/output function. That is, as the input signal is increased, the output
输出限制/压缩
适当的助听器安装的主要目标是在人类听力可听范围内的所有频率上实现声能量的放大。最重要的是,当助听器麦克风的输入信号增加时,能够以舒适的响度水平呈现语音信息,而不会超过用户的响度不适。对于听力正常的人来说,这个目标很容易自然地实现,因为他们的动态听力范围从听力阈值到超过125到130 dB SPL的不适和疼痛阈值。在大多数环境中,耳朵的输入,从非常大到非常大,基本上覆盖了相同的范围。听力正常的人可以通过远离响亮的声音或提供某种输入限制(如捂住耳朵)来保护自己免受产生声音水平的不适。在处理大多数类型的感觉神经性听力障碍时,这一目标并不容易实现,因为残余听力的动态范围远远小于正常环境声音的范围。听觉的动态范围是指耳朵能够有效处理的强度范围;从最弱的声音到最大的声音或从听觉阈值到响度阈值的不适。如前所述,这个范围对于听力正常的人来说是非常大的(大约125-130分贝)。在存在听力障碍的情况下,听力的动态范围往往会急剧下降。例如,一个人的听力阈值为50 dB,不适阈值为110 dB,他只能有效地处理50到110 dB的范围或60 dB的动态范围。多年来,助听器的输出限制一直用于保护用户在输入信号达到临界水平时免受响度不适或疼痛。从工程角度来看,这是通过压缩或峰值裁剪电路来实现的。峰值裁剪电路使用起来相当简单,其目的是保护用户免受过大的噪音影响。然而,压缩放大可能是最困难和最令人困惑的系统来调查和理解适当的听力损失与放大。传统的线性放大器的输入/输出比例为1:1。也就是说,随着输入信号的增加,输出
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