Greek and Roman artistic influences in Egypt and their role in creating popular elements of a sustainable nature "Developmental archaeological vision"

Hala Mohamed Elmerzeban
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Abstract

Folk art was influenced in its creations by the arts of previous civilizations; Where art had a distinguished position in the history of humanity throughout the ages, and when we mention one of the civilization influences in the Greek and Roman eras in Egypt, we find many artistic models that bear the characteristics of art in the two eras and its link to the imitation element, which distinguished these eras from what preceded them, and they are also models that mimic The present and the future, where the popular creator draws his creativity, decorations and even his colors with all the meanings and symbolic and historical connotations, which are - also - elements that have always expressed sustainable development thought, despite the modernity of the idea. The scientific concept of sustainability, but we find it already applied in the different historical eras in Egypt in the succession of its civilizations, but it had sustainable development dimensions. The environmental dimension - for example - is represented in simulating the environment and its elements and the influence of the arts on it. As well as the social and cultural dimension, which expressed the life of all classes of society, and the richness of their culture, ideas and beliefs, which they themselves embodied in many artistic elements, and this is an important application of the idea of community partnership. To complement that vision and believing in the necessity of integration between different sciences and achieving sustainable development goals through archeology and its artistic creations it was necessary to develop a development vision with economic dimensions in order to complete the dimensions of sustainable development, by applying the dimensions of that development and creating artistic elements affected by the Greek and Roman civilizations in Egypt and an attempt The approach between these elements and what was inspired by them to produce elements of popular ornaments with intense economic consumption, which achieves the third dimension of sustainable development, which is the economic dimension with the effective and desired effect for the present and the future, with a developmental vision for these models and their integration in the archaeological field of tourism.
希腊和罗马艺术对埃及的影响及其在创造可持续发展的流行元素中的作用"发展性考古视野"
民间艺术的创作受到了以前文明艺术的影响;艺术在人类整个历史上的杰出地位年龄,当我们提到一个文明影响的希腊和罗马时代在埃及,我们发现许多艺术模型,在两个时代艺术的特点及其与模仿元素,这些杰出的时代之前的他们,和他们也模型模拟现在和未来,在流行的创造力吸引作者,装饰,甚至是他的色彩,具有所有的意义和象征意义和历史内涵,这也是一直表达可持续发展思想的元素,尽管这个想法是现代性的。可持续性的科学概念,但我们发现它已经应用于不同的历史时期在埃及的文明传承中,但它有可持续发展的维度。例如,环境维度通过模拟环境及其元素以及艺术对环境的影响来表现。以及社会和文化层面,它表达了社会各阶层的生活,以及他们的文化,思想和信仰的丰富性,他们自己体现在许多艺术元素中,这是社区伙伴关系理念的重要应用。为了补充这一远景,并相信必须结合不同的科学和通过考古学及其艺术创作实现可持续发展目标,必须拟订一项具有经济方面的发展远景,以便完成可持续发展的各个方面;通过运用这一发展的维度,创造受希腊和罗马文明影响的艺术元素,并尝试将这些元素与受其启发的元素结合起来,生产出具有强烈经济消费的流行饰品元素,从而实现可持续发展的第三个维度,这是经济维度,对现在和未来都具有有效和预期的效果,并对这些模式及其在考古旅游领域的整合进行了发展展望。
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